The Antlion Trench
Murder Case was originally serialized in Weekly Shônen
Magazine and collected in volumes 5-6 of Kindaichi Shounen no
Jikenbo R (The File of Young Kindaichi Returns), which
Ho-Ling Wong described
as having one of "the most ridiculous designed building"
in the entire series – a research facility in the middle of a
desert-like field of quicksand. This case is not considered to be a
high-note in the series,
but wanted to know how this bizarre and ridiculous architectural
marvel was put to use in service of the plot. It certainly was odd,
I'll tell you that much.
An old acquaintance and
freelance journalist, Yosuke Itsuki, invited Hajime Kindaichi and
Miyuki Nanase to participate in a three-day psychological experiment
as a way to make a little bit of pocket money.
The experiment is
conducted by Professor Maeda Junki, of Saitou University, who has a
former military base at his disposal. A facility commonly known as
Antlion Trench, situated on the outskirts of a small desert, where
captured soldiers were imprisoned during the war and escaping is next
to impossible, because the base is surrounded by dangerous patches of
quicksand – which can only be navigated by following a roped
pathway. Antlion Trench is a cluster of pod-like buildings linked
together by long, snaking corridors and (locked) doors.
All of the participants
are locked inside this facility for three days and have to wear
differently colored kimonos, which represent their inner trauma or
desire. A wristband with a body sensor-and radio device will record
all of their vital signs, which are send to the professor's laptop.
So they're under constant observation during those three days. And
cell phones aren't allowed!
As to be expected, two of
the participants are murdered and here the outlandish, maze-like
layout of the structure begins to work against both Kindaichi and the
reader. First of all, getting to the first victim proved to be an
obstacle course, because they're constantly confronted by locked
doors and dead-ends in a place where every room and corridor looks
practically the same – making it very confusing to follow
everyone's movement. Something that's not entirely unimportant to the
solution.
However, this is not a
locked
room mystery in the traditional sense. The murders appear to be
baffling and incredibly hard to have carried out, but they're not,
strictly speaking, impossible crimes.
Unfortunately, the
explanation to the murders reworked on of my favorite Kindaichi
stories by pumping it full of steroids, because The Antlion Trench
Murder Case is pumped-up version of that particular story. Just
not as good or particularly well executed. Another thing I have began
to notice is that The File of Young Kindaichi Return series
uses "The Puppeteer of Hell," Yoichi Takato, as a convenient
plot-device to justify the more fantastic aspects of the plot by
simply pointing at him and saying, "it was all his idea."
And if you lean on that too much, you run the danger of creating
something completely incomprehensible. Something this story was (at
times) dangerously close to becoming. Hell's Puppeteer is a great
character and a perfect foil to Kindaichi, but this is not the best
way to use him.
Antlion Trench |
So the mechanics of the
crimes were less than perfect and the movement of the various
characters through the maze-like building was confusing at times, but
it made for an oddly interesting detective story – especially when
you add the psychological angle and wristbands to the overall
picture. There were one or two good clues hidden in them that pointed
to the murderer. One clue particular gives immediately identifies the
murderer, if you're able to spot it. As usually, the age-old revenge
motive is dragged out, which is used in nearly every volume of this
series, but this back-story was an interesting one. And it's baffling
that culprits of this crime saw their action as a prank gone wrong.
It was as close to (unintended) murder (manslaughter?) as you can
possibly get.
Just like my previous
read in this series, The Antlion Trench Murder Case had an
intriguing premise and bizarre backdrop, but everything else was par
of the course for the series. And part of the plot reworked a
previous and much better story. So this was not one of Kindaichi's
all-time greatest cases, but neither was it his worst. Just a very
middling title in the series.
Well, I guess I'll return
to Case
Closed or Q.E.D.
for my next mystery manga.
Thanks for the review, TomCat, and I'm always encouraged to see more reviews of Kindaichi. :)
ReplyDeleteI recall thinking, when I first read 'Antlion Trench Murders', that the solution borrowed quite heavily from a previous case. But I think I didn't feel too harshly towards 'Antlion Trench', as I wasn't especially favourably inclined towards the previous case in question. I know it is one of the most popular cases for the early Kindaichi, but I've always preferred 'Headless Samurai' instead.
Back to 'Antlion Trench', I agree that it's 'an oddly interesting detective story', and I like the clues pertaining to the wristband. Much as I feel more kindly towards 'Antlion Trench', I'd concede that it wasn't one of the strongest entries in the Kindaichi 'R' series.
P.S. Interestingly enough, of the two volumes that featured 'Antlion Trench', you picked the volume cover showcasing 'Vampire Cherry Blossom Murders'.
There's a special Kindaichi review scheduled for the second week of January, 2019. So you have that to look forward to.
DeleteYes, this case obviously borrowed from that previous case, which was one of the best titles from the series, but I can see why you prefer The Headless Samurai. As you'll probably remember, I reviewed The Headless Samurai earlier this year and went in with the intention of hating it. It was going to be a good, old-fashioned Kanari bashing! Well, that didn't turned out as planned, did it?
I liked the cover of volume 6 more than the previous one, but yes, volume 5 would have been more fitting, because Kindaichi wears his color-coded kimono on it.
Looking forward to your next Kindaichi review - will you be sticking to the R series, or moving backwards?
DeleteI definitely thought 'Headless Samurai' was the strongest of the first series - I thought it had a simple but clever locked-room resolution, and a genuinely claustrophobic and eerie atmosphere. I was expecting to like 'Wax Doll Murders' more, but I wonder if reading it in English made it rather artificial for me>
Admittedly, my memories of the entries are somewhat vague... But I recall also liking 'Burial Franc Murders', 'Snow Demon TV Murders' and 'Foreigners' Hotel Murders'.
I'm afraid my reading of the Kindaichi series is going to be all over the place. Just wait until you see what I found for that upcoming review, which is scheduled for next Tuesday.
DeleteIf you thought House of Wax felt artificial, especially in comparison with The Headless Samurai, it probably wasn't the English translation. House of Wax has a brilliant plot and is still one of my favorites, but the setting and characters are contrived: an ancient castle transplanted from Europe with a number of Western characters, including the nephew of Lt. Columbo, wandering around in it. This gives the story a notably different atmosphere and made it stand out in the series, but can understand if this doesn't work for everyone.
I have not read Burial Francs or Playing the Fool (Foreigners Hotel Murders), but Death TV was not too bad with a pretty good alibi-trick and false solutions.