Alice's Evidence: "The Mad Hatter's Riddle" (2009) by Dale C. Andrews

Ellery Queen's Mystery Magazine published a majestic pastiche in their May, 2007, issue, entitled "The Book Case," written by two long-time Ellery Queen fans, Dale C. Andrews and the creator of "A Website on Deduction," Kurt Sercu – anthologized a decade later in The Midadventures of Ellery Queen (2018). Generally, my purist streak makes it nigh impossible to enjoy pastiches, but "The Book Case" and its sequel can be counted among the exceptions.

Dale C. Andrew's "The Mad Hatter's Riddle" has, as far as I can tell, only appeared in the September/October, 2009, issue of EQMM and the story stands with one foot each in a world of the EQ multiverse.

"The Mad Hatter's Riddle" takes place in 1975, a transitional year, in which the twentieth century took "a quick breath as it prepared for the final twenty-five-year dash to the millennium." A now seventy-year-old Ellery Queen had given up on writing detective stories and now only edits the magazine, but Universal Studios has hired him as a consultant on the shooting of a very special episode of NBC's Ellery Queen – based on one of his most popular short stories, "The Mad Tea Party" (collected in The Adventures of Ellery Queen, 1933). The studio wants to use the episode as vehicle to reunite two "fabled stars of yesteryear," Ty Royle and Bonnie Stuart, who are tagged to play Spencer and Laura Lockridge in the episode.

Bonnie and Ty have been out of the public-eye for nearly three decades, redrawing inside a "comfortable cocoon," where they lived a quiet, hermit-like existence. So the episode marks the first time in twenty-five years that "the once-married duo" appeared together. Something that was easier said than done. The studio had to hire another, one-time consultant, Jacques Butcher, who previously appeared in the Hollywood-period EQ novels The Devil to Pay (1938) and The Four of Hearts (1938).

The episode has to be ready to air in six weeks. So, naturally, the whole shoot threatens to come crashing down when Bonnie and Ty announce they are going to be married (again). Something that'll end the quiet, comfortable existence of the people around them.

A second problem comes in the form of a typewritten, acrostic poem reminiscent of an untitled poem by Lewis Carroll that revealed "the name of the real Alice," but this poem only revealed a cryptic message, "trip required no chances" – a prescient "warning in verse." On the day of their announcement, Bonnie and Ty are murdered at the place they were staying for the duration of the shoot (echoing the double death from The Four of Hearts). This is the point where the story, quality-wise, splits in two parts.

The solution to the murders is routine with a decent, but simple, dying message and an alibi-trick that, while a delight to long-time EQ fans, is a trifle unconvincing. I don't believe the huge discrepancy in time would have gone unnoticed. On the other hand, the answer to the titular riddle was excellently handled and the identity of the writer was a pleasant surprise. You've no idea how clever the title of the story is until you have read it. Even if it has a touch of sadness about it.

So, purely as a whodunit, "The Mad Hatter's Riddle" is a disappointingly weak story, but the presence of the acrostic poem elevates it as an excellent code cracker and the respectful treatment of the original characters makes it a first-class pastiche. A better Hollywood-set EQ story than the original and comes highly recommended to other EQ fans.

With the Stroke of a Pen

"'Come, we shall have some fun now!' thought Alice. 'I'm glad they've begun asking riddles — I believe I can guess that,' she added aloud.

'Do you mean that you think you can find out the answer to it?' said the March Hare.

'Exactly so,' said Alice."

- Lewis Carroll's Alice's Adventures in Wonderland (1865)

The May issue of Ellery Queen's Mystery Magazine from 2007 contains an Ellery Queen pastiche from the hands of two collaborating fans, Dale C. Andrews and Kurt Sercu, entitled  "The Book Case," in which a near centenarian Ellery attempts to curtail the ravages of time by solving sudoka puzzles and the occasional, locally committed homicide.

Ellery Queen was drawn out of retirement in “The Book Case” when a shady collector of rare, hardcover mystery novels was found murdered in his study, but in his death throws was able to leave the police a clue by sweeping a row of Ellery Queen novels from one of the shelves – implicating the children of the late Djuna. The story works perfectly as a final salute to the Ellery Queen legacy similarly to Charles Ardai's pastiche "The Last Story," from The Return of the Black Widowers (2003), but it was only the first adventure for this twenty-first century incarnation of EQ. In September/October 2009, "The Mad Hatter Riddle" appeared and has Ellery Queen as a consultant on the set of the 1975 TV-series Ellery Queen! Unfortunately, that's a story I missed, but I have just read the third installment, "Literally Dead," which inclusion would not have shamed Queen's Full (1965) – a collection of original short stories by Dannay and Lee.

A native of Wrightsville, a twin town of Cabot Cove, Jennifer Rothkopf taught English at the local high-school and worked on her literary career with kids' verses, however, it was the publication of The Lemon Sand of Abrillion that put her name among the other stars of fantasy fiction. The five succeeding chronicles also made Rothkopf financially independent, but, after the seventh one, The Black Night of Scythallon, she decides that Jonathan Dellerworth's journay has come to an end. Literally and permanently! Rothkopf rescinds the deal she was negotiating to farm out the character and her determination looks to be Dellerworth's Waterloo Reichenbach.

Not long thereafter, Chief Anselm Newby is tasked with finding Jennifer Rothkopf's murderer and, as to be expected, there's a dying message: a colored napkin was pinned to a piece of fruit with a paring knife. But that isn't even the most puzzling aspect of the murder. The doors were locked from the inside and could only be locked from the inside with the sole key fastened to a bracelet, which still clutched to Rothkopf's wrist, and the windows were bare of any traces of tampering.

As the consulted Ellery Queen remarked, "I have encountered more than my share of dying messages over the years, but locked rooms are a bit of a rarity."

However, Queen shows more interest for the locked room angle than Newby does, because he expects to get the answer from the murderer, but it's Queen who, naturally, gets it right – even though the basic gist of the locked room trick is older than EQ himself at this point. Still, it was nicely presented and well clued, as were all three major aspects of this story (whodunit, locked room and dying clue). There were clues for all of them, but only in the EQ universe can a victim, seconds before dying, have all the materials within reach to create a perfectly logical, if often needlessly cryptic, clue for the police. Personally, I would've let Rothkopf (who was, by the way, found slumped over her desk) cradle those three items in an enclosing embrace, which would've given the clue a double meaning (if you have read the story, you should know what I mean), but that's nitpicking from my side. 

Generally, I'm not a fan of pastiches and I echo Stout's sentiment to "let them roll their own," but it's a bit different with Ellery Queen, isn't it? Dannay and Lee infamously worked with ghostwriters themselves and allowed the character to reflect the changing times. Ellery Queen has even known a short, angst-ridden period! So I can't complain if the original authors clearly wouldn't have had a problem with farming out their character – especially when done well and within the pages of their own magazine. Granted, if Dannay had still been alive today, he probably would've altered the titles, but they would've been published.

Briefly put, "Literally Dead" has everything you expect from a proper detective story and more than that from a pastiche.

One last observation on the story (I couldn't wriggle-in anywhere else) is that "Literally Dead" also felt as a wink at Anthony Boucher. The legacy of a fantasy writer recalled Fowler Foulkes creation of Dr. Garth Derringer, an Americanized version of Arthur Conan Doyle's Dr. Challenger, from Boucher's Rocket to the Morgue (1942) and a Gregory Hood radio-play from the late-1940s, "The Derringer Society," collected in The Casebook of Gregory Hood (2009).