"It's the people close to your heart that can give you the most piercing wound."
- Kenshin Himura (Rurouni Kenshin: Meiji Swordman Romantic Story, 1994-99)
The
59th volume of Gosho
Aoyama's long-running series, Case
Closed a.k.a. Detective Conan, opens with a chapter
that the closes the book on the thrill-filled, novel-length story
from the previous installment, which was rife with character
development and revelations – as well as being one big
confrontation between our heroes and the men in black. So that was
quite a fun and eventful volume for long-time readers.
You
can say the opening chapter of this volume is, somewhat, of an
aftershock, but we all know that, what was depicted, didn't really
happen. No doubt an explanation will be given in one of the (much)
later volumes. All I'll say for those unfamiliar with the series
(shame!) is that one of the characters appeared to have pulled a
Reichenbach. Except that here the all engulfing waters of the fall
were replaced by an all consuming fire of a fiery car wreck.
What
follows are two stories, one short and one that's longer, but they're
both excellent detective stories and this volume ends with the first
chapter from a case that will be concluded in the next one.
So
the first of these two stories is an inverted mystery, a la Columbo,
but one that leaves the reader in the dark on how the murderer's
alibi was created, which makes it a borderline impossible crime.
The
murderer is a hairdresser, Minayo Hasaka, who has decided to murder
her former high-school sweetheart, Shiro Nasaka, but he's a
200-hundred pound martial artist and she's a small, slender woman –
which makes her an unlikely suspect when his body is found beneath a
guardrail. His throat had been cut. Hasaka further cemented her claim
to innocence by a having a famous lawyer as her alibi, but the lawyer
in question, Eva Kaden, happens to be Richard Moore's wife. Of
course, Moore, Rachel and Conan happen to be ones who discovered the
body. Regardless, the alibi is rock solid and takes some thinking to
break down.
Hasaka
was physically unable to lug the body around and during a window of
ten minutes, when she absent from the salon, she was at a
corner-store. This was confirmed by the shop-owner, the receipt and
footage from the security camera. So how did she managed to do it?
Well, the solution managed to be simultaneously complex and very
easy. I managed to get a general idea behind the trick based on the
sounds Conan heard, "crash," "thud" and "klak,
klak," in combination with the old scooter, a certain object
behind the salon and the map of the neighborhood.
Granted,
the method is both convoluted and very, very risky, but I appreciate
Aoyama's ingenuity that showed how to create a watertight alibi and
get rid of the body at the same time – even if the answer only
really works in Conan's universe.
The
second story is double the size of the first, covering six chapters,
which has a plot that reminded me of a bit of Seichi
Yokomizo's Inugamike no ichizoku (The Inugami Clan,
1951) and Yasuo Uchida's Togakushi
densetsu satsujin jiken (The Togakushi Legend Murders,
1994?). One of the highlights of this delightful tale is that the
plot is modeled around a Fuurinkazan
motive, which is basically the Japanese equivalent of the nursery
rhyme murders from Western detective stories (e.g. S.S.
van Dine's The Bishop Murder Case, 1928).
A
long-standing family feud between the Torada and Tatsuo clan is at
the heart of the plot, which begins when the former engages the
services of Richard Moore to investigate the curious circumstances
surrounding the death of the patriarch's son, Yoshiro – who was "yanked into the sky" by a tornado and "dropped onto
rocky ground." However, evidence suggests Yoshiro survived his
landing, even if he was dying, but the initial person who found him
left the wounded man to die. This personal also left a macabre
calling-card: a dead centipede! But they're not the only ones who've
asked the assistance of an independent detective with an outstanding
reputation.
At
the home of the Tatsuo family, we find a fresh-faced, but familiar,
high-school detective, Harley Hartwell!
The
head of the family, Tamefumi, has heard from Inspector Otaki about
Hartwell's track record as "an amazing sleuth," which he
sorely needs now that his son, Koji, has been murdered. Koji was
found buried up to his neck in the earth, bludgeoned to death, but
his killer had also left a dead centipede at the crime scene. Several
additional bodies and dead centipedes would follow. A gush of murders
that have apparent connections with an accidental death in the
several years in the past, a village festival, yabusame
(horseback archery), a treasure hunter and the wisdom of Sun Tsu.
I
also have to point out here that one of the bodies is found hanging
in the woods, but there were no footprints or marks in the soft
ground surrounding the tree. However, this impossibility is an
insignificant aspect of the overall plot. I only bring it up because
the premise and explanation were reminiscent of the apparent
miraculous hangings from Paul Doherty's The
Song of a Dark Angel (1994), which is why I actually managed
to figure out how it was done and guided my eye towards an
interesting character – namely the murderer. Once they said the
murder was an impossible one, I thumbed back several pages for a good
overview of the crime scene, and suspects, and went, "aha!"
As
good as the story is as a detective story, it's also important for
introduction a brand new character, Kansuke Yamato of the Nagano
Prefectural Police, who's a one-eyed police detective. And his
back-story is tied directly to the background of this story. So that
makes it quite the standout story in the series!
Finally,
there's the first chapter of a new story that will be resolved in the
next volume, but I can say that, reputedly, it will be the final
appearance of Eisuke Hondo. But more about that in my review of
volume 60. I'll try to get off the big pile faster than normal,
because with this review out of the way I'm still two or three
volumes behind on the releases. I suck when it comes to normally
following series.
Well,
the next blog-post is going to be a review of one of my favorite
mystery writers not named John
Dickson Carr. Not sure when exactly I'll be able to post it, but
it won't be all that long. So don't touch that dial!
I really appreciate the Furinkazan case in the series. Even if it's not as action and suspense filled as some others.
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