Earlier this month, Dean
Street Press revived three obscure, long out-of-print novels by a
forgotten mystery writing couple, Edwin
and Mona A. Radford, who collaborated on thirty-eight forensic,
puzzle-driven detective novels that were originally published between
1944 and 1972 – most of them starring their series-detective, Dr.
Harry Manson. A detective with the unique dual role of being "in
charge of the Crime Laboratory at Scotland Yard" as "the
chief of the Homicide Squad."
Back in February, in anticipation of
these releases, I reviewed the Radford's nostalgic adieu to the
detective story's Golden Age, Death
and the Professor (1961). A standalone detective novel
presented as a collection of short (locked room) stories, but the
nostalgia came at the expense of the ingenuity and originality that
can be found in their Dr. Manson novels (e.g. Who
Killed Dick Whittington?, 1947). So my next stop was going to
be, unsurprisingly, the reprint of one of the Radford's impossible
crime novels, Death of a Frightened Editor (1959). I was not
disappointed.
Death of a Frightened Editor is
the eleventh entry in the Dr. Harry Manson series and revolves around
an inexplicable poisoning aboard the first-class Pullman coach of the
5.20 Victoria to Brighton train.
Over a stretch of six months, a group
of seven men and one woman traveled together in the same coach,
occupying the same seats, five nights a week and the Pullman had
slowly become "a traveling club" – where "conversation
was mutual" and "drinks were stood round by round." A mixed
company made up of a dreary general manager of an insurance office,
Marriott Edgar. A wealthy and ponderous stockbroker, William
Phillips. A charity worker and a prominent executive of the Unmarried
Mothers' Association, Mrs. Freda Harrison. A manager of the
share-buying department of a great bank, Alfred Starmer. A well-known
crime reporter for a London morning paper, Edwin Crispin (no relation
of Edmund
Crispin). An eminent Harley Street surgeon, Thomas Betterton, and
a jolly Cockney bookmaker, Honest Sam Mackie. The group is rounded
out by the soon-to-be-dead Alexis Mortensen.
Mortensen is the editor and owner of
Society, "a scurrilous rag-bag of gossip and pictures,"
whose extremely rigid body is found inside the locked lavatory of the
coach. Fortunately, Dr. Manson was traveling in the next first-class
coach and immediately takes charge of the case.
The cause of death is strychnine
poisoning, but suicide is unlikely, because "there are other and
less painful means," which is an assumption cemented by such
clues as a stolen keyring and a small, crumpled piece of paper found
on the lavatory floor – convincing Dr. Manson the editor had been
poisoned. There's just one problem. Strychnine "acts within a
quarter-of-an-hour" and Mortensen "had gone double that
time without having taken anything in food or drink."
So murder appears to be a complete
impossibility with the additional complication that it's "exceedingly
hard to obtain." But the how is merely a single piece of the
puzzle.
The whole police apparatus, headed by
Dr. Manson, is set in motion to disentangle a procession of double
and false-identities, play a game of three-card monte with private
safes and bank deposits boxes and digging out a cache of long-buried
secrets and potential motives – all tied to the reason why the
victim had acted so frightened leading up to his death. There are
more points that need consideration. Such as a free-for-all bottle of
Bismuth that was passed around the coach, a string of unsolved
burglaries and the mysterious woman who had been secretly living with
the victim.
Slowly, but surely, piece by piece,
the murder and its background are reconstructed until the full
picture emerges. Only downside is that certain pieces of vital
information arrived a little late to the story. Nonetheless, the
step-by-step reconstruction, eliminating possibilities and testing
theories makes Death of a Frightened Editor a pleasantly
complex and engaging detective story with a well-done impossible
poisoning.
Death of a Frightened Editor
shows Edwin Radford was "an avid reader" of R.
Austin Freeman's Dr. John Thorndyke mysteries with its use of
forensic science to find the murderer, but the solution to the
impossible murder is pure John
Dickson Carr. A clever, ultimately simplistic, twist on a
poisoning-trick that I've only seen once before. And made for a great
play on the Carrian blinkin' cussedness of things in general. I don't
think many readers will have a problem with working out the motive or
how that tied-in with the gossip columns in Society and the
secreted content in the deposit boxes, but getting there made for
some engaging and fun police work. And the murderer was a nice
surprise. I didn't (quite) expect that person to have been the one
who gave Mortensen the poison.
So, on a whole, Death of a
Frightened Editor is a well-written detective novel with a tricky
plot and a good impossible crime, but the clueing was a little shaky
and this is probably why the Radford's didn't include a single
challenge to the reader. Regardless, the murder-among-commuters plot
makes Death of a Frightened Editor standout as an original
take on the train-set mystery novel and that alone makes it worth a
read.
By the way, Brian Skupin's Locked
Room Murders: Supplement (2019) lists another impossible crime
novel by the Radford's, Trunk Call to Murder (1968), in which
safes are mysteriously looted. Just throwing that out there.
Thanks for the review, TomCat. Your forays into the Radford reprints are making them sound very appealing? I don't usually dip into short stories, but your review made 'Death and the Professor' sound like a worthwhile read. Though I think I might start with 'Dick Whittington' or 'Frightened Editor' first.
ReplyDeleteWhen I first saw the cover for 'Frightened Editor', I did wonder if the cats' tea-party was at all relevant to the story. Seems like cats appear on the Radford covers quite alot!
Death and the Professor is a strange animals. A collection of short stories structured as a mystery novel and obviously written as an homage to the Golden Age, but came at the expensive of the originality found in their other novels. So, depending on what you like, you probably want to start with Who Killed Dick Whittington? or Death of a Frightened Editor. Murder Isn't Cricket is great as well.
DeleteI believe Dean Street Press started using the cat-themed covers to distinguish the Radford reprints without necessary having a link with the story. There was a "cat" in Dick Whittington, but that was an actor who played the cat in a stage play.