The Hit List: Top 10 Favorite Reprints from Dean Street Press

If you're a casual mystery reader who looked at our little niche corner on the internet, you might get the impression that the prevailing belief is that locked room mysteries and impossible crime fiction is the pinnacle of the genre – a final form if you will. That's not true. It's only a small faction of the fandom riding their favorite hobby horse into the ground. I'm perhaps more guilty of riding that hobby horse to pieces than most, but I love a good, old-fashioned or classically-styled detective story and a body in a hermetically sealed room is not a necessity. Even though you don't always get impression from this blog. So let's put the spot light on some classic, non-impossible Golden Age mysteries.

In 2015, Dean Street Press began what seemed, at the time, to be the Herculean task of filling the immense, gaping hole that the still sorely missed Rue Morgue Press left behind. But they have tackled that task head on in an almost industrial way. Not content with simply reprinting one or two titles from a specific writer, DSP turned them out in badges of five or ten at a time. Sometimes even more than that. So in less than a decade, DSP has republished nearly five-hundred Golden Age mystery novels that include the complete works of once obscure or long out-of-print writers like Christopher Bush, E.R. Punshon and Patricia Wentworth. They're currently working on the doing the same for Brian Flynn with Glyn Carr possibly being next in line to go through a round of reprints. But what are some of the best titles DSP brought back from obscurity?

I wanted to do one of these publisher-themed five-to-tries or top 10 lists and initially planned doing a top 10 favorite translations from Locked Room International, but the intention of this post is to take a break from those damned locked room puzzles. So that left me only with Dean Street Press as enough of their reprints have been discussed on this blog to compile a top 10 best favorite reprints. That was easier said than done and had to give my favorite writers a handicap by limiting the list to one entry per author. So no desperate attempts to convince you Christopher Bush's Cut Throat (1932) is not shit, if only you tried to make it through to the end without getting despondent. It appears to have worked. 

 

Top 10 Favorite Reprints from Dean Street Press (in chronological order):

 

The Mystery of the Peacock's Eye (1928) by Brian Flynn 

The ongoing run of Brian Flynn reprints has left me spoiled for choice, but decided to go with the obvious suspect and the 2019 Reprint of the Year Award winner. A case with Flynn's typical Doylean touches as Bathurst investigates a murder involving Royal blackmail and a magnificent, blue-shaded titular emerald. While that might sound like a typical, dated 1920s mystery novel, Flynn provided a solution shining with all the brilliance of the coming decade that makes The Mystery of the Peacock's Eye a classic of the '20s. 

 

The Night of Fear (1931) by Moray Dalton 

This pick is perhaps a little out of season to bring up now, on the tail-end of March, but The Night of Fear is one of the earliest and best country house mysteries at Christmas from this era – in addition to being Dalton's most accomplished detective novel. A well-spun drama that begins during a Christmas party concluding with a game of hide-and-seek in the dark and the discovery of a body, which the police try to pin on the blind Hugh Darrow. But how to prove his innocence? A must read for the December holidays.

 

Murder at Monk's Barn (1931) by Cecil Waye 

“Cecil Waye” was the third, previously unsuspected penname of John Street, better known as “John Rhode” and “Miles Burton,” who wrote four once extremely obscure novels under that name. Three of the four are so-called metropolitan thrillers, but Murder at Monk's Barn is, plot-wise, in the traditional style of his Rhode and Burton mysteries. Where the book differs is the tone and characters. The detectives are a brother-and-sister team, Christopher and Vivienne Perrin, who were a hold over of the 1920s Young Adventures like Tommy and Tuppence Beresford. So while the mysterious shooting of an electrical engineer comes with all plot-technical expertise and ingenuity expected from Street, Murder at Monk's Barn is no humdrum affair as the two Bright Young Things livened up the whole story. 

 

The Case of Naomi Clynes (1934) by Basil Thomson 

A predecessor of the contemporary police procedural and ultimately a very simple, uncomplicated and straightforwardly told story of a crime, which nonetheless succeeded in creating complex and intricate plot-patterns. A plot that excelled with simplistic beauty. More importantly, I remember The Case of Naomi Clynes as a surprisingly warm, human crime story with some decidedly original touches to the ending.

 

The Case of the Missing Minutes (1937) by Christopher Bush 

It has been observed that Christopher Bush was to the unbreakable alibi what John Dickson Carr was to the impossible crime, which makes The Case of the Missing Minutes his version of The Three Coffins (1935). Regardless of what the book title suggests, The Case of the Missing Minutes is not some dry time table or math puzzle. It can actually be counted among Bush's best written, most well-rounded and certainly bleakest of his earlier detective novels with a meticulously put together plot that runs like a Swiss timepiece. 

 

Murder on Paradise Island (1937) by Robin Forsythe 

Some of you probably expected a title from Forsythe's short-lived Algernon Vereker series, like The Pleasure Cruise Mystery (1933) or The Spirit Murder Mystery (1936), which took an interesting approach to plotting a detective story – spinning a great deal of complexity out the circumstances in which the bodies were found. Murder on Paradise Island is a standalone mystery and has a much lighter touch to the plot, but the backdrop and circumstances the characters find themselves makes it his most memorable contribution to the genre. A cross between Anthony Berkeley's Mr. Pidgeon's Island (1934) and a Robinsonade as a group of survivors of a ship disaster get washed up on the pearly beaches of a desert island in the middle of the Pacific. 

 

Bleeding Hooks (1940) by Harriet Rutland 

Arguably, the best and most deserving title to have been reprinted by DSP as well as my personal favorite of the lot. A pure, Golden Age whodunit set in a Welsh fishing village with an inn catering to fly fishing holidaymakers, but the Fisherman's Rest becomes the scene of murder when the vulgar Mrs. Mumby is found dead with a salmon fly deeply embedded in her hand. The doctor concludes she died of combination of poor health and shock from the wound, but the detective-on-holiday, Mr. Winkley, suspects foul play. There's a neat little twist in the tail. John Norris called the book “something of a little masterpiece.” I agree! 

 

There's a Reason for Everything (1945) by E.R. Punshon 

The return of E.R. Punshon's Bobby Owen series to print also posed a difficulty in picking a favorite, because Punshon allowed his Bobby Owen to age and evolve as a character. And tended to try something different every now and then. So there are differing periods in the series that feel distinct from one another, but decided to go with strongest, most intricately-plotted detective novels. A complex detective story concerning a murdered paranormal investigator in a haunted house, vanishing bloodstains and a long-lost masterpiece by Vermeer. A great demonstration of Punshon's ability to erect and navigate labyrinthine-like plot without getting tied-up in all the numerous, intertwined plot-threads. 

 

The Threefold Cord (1947) by Francis Vivian 

So far, The Threefold Cord still stands as the best written, most ingeniously plotted of Francis Vivian's detective novels I've read to date. Inspector Knollis is dispatched to the village of Bowland to investigate wholesale pet murder at the home of a local and unpopular furniture magnate, Fred Manchester. Someone twisted the necks of the two family pets, a budgerigar and cat, before placing a silken cord loosely around their broken necks – which proved to be a prelude to a gruesome ax murder. Vivian expertly tied the present-day murder to the story of a public hangman who died under mysterious circumstances before the war. Every piece of the puzzle fitted beautifully together to form an inevitable conclusion.

 

The Heel of Achilles (1950) by E. and M.A. Radford 

Edwin and Mona Radford, a mystery writing husband-and-wife team, who specialized in forensic detective stories in the tradition of R. Austin Freeman's Dr. John Thorndyke series occasionally peppered with challenges to the reader (e.g. Murder Isn't Cricket, 1946). Their often tightly-plotted detective stories somehow were all but forgotten until DSP reprinted half a dozen of them in 2019 and 2020. The Heel of Achilles is an inverted mystery with the first-half following the murderer as he executes, what he thinks, is the perfect crime. The second-half brings their detective, Dr. Manson, to the scene who begins to laboriously poke holes into the killer's supposedly watertight plot. A cold, impersonal examination of a crime that meshed very well with the intimate and personal opening half depicting the murderer and his crime. A genuine classic of the inverted mystery.