12/24/18

Murder in Retrospect: The Best and Worst of 2018

Conan Edogawa dons a seasonal deerstalker

So here we are again. A year has gone by since my last annual round-up and the blog has undergone one notable change during that time: I dispensed with the confusing blog-titles and opening quotes, which used to be only tangibly related to the book or short story being reviewed – a decision that has saved me a lot of time. I no longer have to feverishly rummage through my bookshelves or trawl the web for fitting opening quotes.

Around the same time, I was toying with the idea to rename the blog "Path of Logic," but decided against it and keep everything as it is for the foreseeable future.

My best-of list this year consists of the following categories: the best and worst mystery novels read in 2018, a split section for the best short stories (singles and collections) and my favorite locked rooms of the year. Yes, just like in every other year, the locked room and impossible crime story dominate the list. Christopher Bush has four novels listed and could have been more, but decided to cut out a couple of them. And he has one novel mentioned in the worst-of column. The non-English mysteries (French, Norwegian and Japanese) are well represented here.

The only real surprise this year? A severe and shocking lack of John Dickson Carr! He's represented here by a single short story. I'll have to penance and rectify this gross oversight in 2019. Enough padding for one filler-post. Let's take down this list from the top.

THE BEST MYSTERY NOVELS READ IN 2018:

Shinsoban 8 no satsujin (The 8 Mansion Murders, 1989) by Takemaru Abiko

An early work of the Japanese shin honkaku movement, but distinguishes itself by being a comedic locked room mystery in the spirit of Leo Bruce's Case for Three Detectives (1936). Here we have two baffling arrow murders inside a mansion shaped like the number 8 interspersed with comedy bits at the expense of one of the policeman. A funny, clever and, above all, an enjoyable read.

The Mystery of the Dead Man's Riddle (1974) by William Arden

A highly amusing, solidly plotted juvenile mystery novel, in which Jupe, Pete and Bob have to crack a six-part coded riddle in order to find the treasure of the titular dead man, Marcus "Dingo" Towne. They're frustrated in their efforts by their long-time nemesis, "Skinny" Norris, but find an unexpected alley in Dingo's eight-year-old grandson, Billy, who wants to be detective – who even dons the cape and deerstalker. I should also return to The Three Investigators more often in 2019.

The Mystery of the Invisible Thief (1950) by Enid Blyton

This entry on the list constitutes the biggest and most pleasant surprise of 2018! A juvenile detective novel concerning a rash of apparently impossible burglaries in an otherwise quiet, charming village, but what makes the story standout is the crystalline plot and fair play – complete with clues, red herrings and red herrings that become clues once you know they're red herrings. A gem from the juvenile corner of the genre!

The House of Strange Guests (1932) by Nicholas Brady

The novel that introduced the wonderful Reverend Ebenezer Buckle and the second best title from this lamentably short-lived series, in which Maurice Mostyn is murdered during a house party with an uncomfortable cast of house guests. A splendidly clued detective novel, complete with a chapter entitled "A Study in Clues," but what really impressed was the daring choice of murderer. Something that could easily have ruined the whole story. So it says something about Brady that he made it work.

The Case of the Chinese Gong (1935) by Christopher Bush

A delightfully Carrian mystery novel and one of Bush's rare, full-blown impossible crime stories. An elderly, penny-pinching man is shot to death in the middle of his living room, while surrounded by his relatives, but nobody saw the person who fired the shot. A delightfully complex and knotty detective story.

The Case of the Missing Minutes (1936) by Christopher Bush

A textbook example of Bush's minutely-timed, clockwork plots with one of his trademark alibi-tricks, but framed in what is one of his darkest stories and deals with the murder of a sadistic child abuser, Quentin Trowte – who (mentally) abused his 10-year-old granddaughter. I can only think of a handful of murder victims, in detective fiction, who deserved to be knifed more than Trowte.

The Case of the Murdered Major (1941) by Christopher Bush

The first in a trilogy of wartime mysteries and actually wanted to pick The Case of the Kidnapped Colonel (1942), but settled on The Case of the Murdered Major because it had stronger, better worked out wartime setting – namely a POW camp. Captain Ludovic Travers is appointed as the Adjutant Quartermaster of No. 54 Prisoner of War camp, but, once again, has to play detective when the unpopular major is murdered. As always, there's an excellent alibi-trick hidden in the plot.

The Case of the Missing Men (1946) by Christopher Bush

Ludovic Travers is summoned to the home of a celebrated mystery writer, Austin Chaice, who want to use his book, Kensington Gore, as a reference source for a writing manual he's working on, but Travers has to play amateur criminologist once more when Chaice is murdered. A pure, puzzle-driven detective story with the delightful destruction of several risky, closely-timed alibis.

Murder Most Ingenious (1962) by Kip Chase

A wheelchair-bound ex-homicide detective, Justine Carmichael, gets involved with his former colleagues when the owner of a private, second-rate art gallery is brutally murdered and a painting disappears from the vault. The book-title is a shining example of truth in advertising.

Stranger at the Inlet (1946) by Martin Colt

The first of a series of three novels and precursor to the acclaimed Ken Holt book by "Bruce Campbell," a shared penname of Sam and Beryl Epstein, who used here the name "Martin Colt" for a short-lived series about two brothers, Roger and Bill Baxter. They live in a tiny, out-of-the-way seaside town and, one summer, they're swept up in an exciting adventure when a suspicious-looking stranger rents their cottage. A charming and intelligent written example of the juvenile corner of the genre with very believable child-characters.

Flashpoint (1950) by John Russell Fearn

The first recorded case of one of Fearn's flagship detective-characters, Dr. Hiram Carruthers, who investigates the destruction of a fishmonger's shop and several fires that were started in empty, locked places. A first-class mystery novel by my favorite second-stringer.

The Clock in the Hatbox (1939) by Anthony Gilbert

An excellent treatment of the courtroom drama with a plot somewhat reminiscent of Anthony Berkeley's Jumping Jenny (1933) and Joan Fleming's Polly Put the Kettle On (1952): Viola Ross is standing trial for the murder of her husband, Teddy Ross, but one holdout among the jurors is determined to prove her innocence. A cunningly cut gem from the Golden Age that had me fooled.

L'Homme qui aimait les nuages (The Man Who Loved Clouds, 1999) by Paul Halter

A truly magical, fairy tale-like mystery novel that tells the story of a young woman who can become invisible, turn stones into gold and can predict the future and there's a lonely, clifftop house – where the wind kills people. One of my favorite Paul Halter novels to date!

Murder Isn't Easy (1936) by Richard Hull

The plot of this one is hard to describe and condense in a short, capsule-like review, but this is a good example of the semi-inverted mystery with a twist with the added bonus of presenting an amusing picture of an advertising agency. A good and fun read!

The Strawstack Murder Case (1936) by Kirke Mechem

A rural example of the Van Dine School of Detective Fiction: Steven Steele, the Philo Vance of the Great Plains, helps the police with finding answers to the baffling questions surrounding the murder of prominent Wichita oil operator. A well written and characterized detective novel with a tight plot and a beautiful backdrop. And the story memorably depicted a deadly oil well explosion.

Wobble to Death (1970) by Peter Lovesey

A highly original historical mystery novel, set in 1879, praised by John Dickson Carr for its authentic depiction of the Victorian era and its people, which takes place during a six day Go-As-You-Please contest – en endurance test for the Proven Pedestrian also known as Wobbles. A great example of how good the historical detective story can be in the right hands.

Invisible Weapons (1938) by John Rhode

As to be expected from Rhode, this is a pure, plot-oriented detective novel with an impossible murder at the heart of the plot. Jimmy Waghorn and Dr. Priestley have to figure out who bludgeoned Robert Fransham to death in a locked cloakroom with a second murder demonstrating Rhode's technical ingenuity when it came to snuffing people out.

The Corpse Steps Out (1940) by Craig Rice

A comedic mystery in which Jake Justus and Helene Brand try to tie the knot, but they're too busy dragging bodies around the place and running from the police. Luckily, the infamous criminal lawyer, John J. Malone, is close at hand to smooth everything out. Nobody did the madcap chase mystery better than Rice.

Jernvognen (The Iron Chariot, 1909) by Stein Riverton

I can only describe this story as a sultry premonition of the coming Golden Age, but has only recently been translated from Norwegian and is well worth a read.

Murder Among the Angells (1932) by Roger Scarlett

This entry used to be one of the more rare, hard-to-get and expensive detective novels on the secondhand book market, but Coachwhip republished the entire Inspector Norton Kane series in 2017. A series comprising of five mystery novels and this one is undoubtedly the best. A grand-old mansion is divided between two brothers who are not on the best of terms, but, when they begin to reconcile, the house becomes to the scene of two baffling murders – one of these murders is committed under impossible circumstances in a closed, moving elevator. A long-lost gem recommended to everyone who loves old-fashioned, puzzle-focused detective fiction. Read it!

This is the House (1945) by Shelley Smith

A splendid detective novel that takes place in a modern villa, constructed on top of a 16th century Portuguese fortress, on Apostle Island. A holidaying mystery writer, Quentin Seal, solves two very peculiar murders there. And the second murder would definitely have raised some eyebrows when the book was first published.

Death of a Queen (1935) by Christopher St. John Sprigg

Charles Venables is dispatched, as an emissary, to the fictitious Balkan kingdom of Iconia to help the ruling dynesty, the Herzvogins, lay a family curse to rest, but his presence is unable to prevent the death of Queen Hanna – who's murdered in closely guarded Royal bedchamber. An excellent, solidly plotted detective story with a realistic take on the Ruritanian romance.

The Six Queer Things (1937) by Christopher St. John Sprigg

A suspenseful, turn-of-the-century style damsel-in-distress yarn updated to the plotting standards of the genre's Golden Age and even has an inexplicable poisoning during a séance.

Not Quite Dead Enough (1944) by Rex Stout (re-read)

A volume comprising of two novellas, "Not Quite Dead Enough" and "Booby Trap," which are, in my opinion, two of the best stories this series has to offer. Stout rarely wrote, or plotted, them better than these two absolute gems!

Death Must Have Laughed (1932) by John V. Turner

Admittedly, this one is, plot-wise, one of the weaker titles on this list, but, in spite of its imperfections, this was a good and fascinating detective novel about the impossible poisoning of a champion boxer during a world-title match.

The Threefold Cord (1947) by Francis Vivian

Inspector Gordon Knollis of Scotland travels down to the village of Trentingham to help the local Chief Constable with the brutal murders of two pets, a bird and a cat, who belonged to the wife of a rich, unscrupulous and despised furniture magnate, Fred Manchester – who's murdered shortly after Knollis arrived. What ensues is a marvelous example of the Golden Age mystery and the plot has an intriguing plot-thread about a possibly murdered hangman.

The Singing Masons (1950) by Francis Vivian

An absolutely honey of a detective story that begins when a body is discovered in a disused well in the garden of an abandoned cottage. The plot buzzes with bee-themed clues, red herrings and lore.

Inugamike no ichizoku (The Inugami Clan, 1951) by Seichi Yokomizo (a re-read)

A landmark novel of the Japanese detective genre and has one of the country's most iconic detective-characters, Kosuke Kindaichi, solving a series of utterly bizarre murders at the lakeside villa of an influential silk family. A classic detective story if there ever was one!

THE BEST SHORT STORIES READ IN 2018:

Short Stories from Collections:

De bergen die geen vergetelheid kennen en andere mysteries (The Mountains That Do Not Forget and Other Mysteries, 2018) by Anne van Doorn
- "Het meisje dat bleef rondhangen" ("The Girl Who Stuck Around")
- "De dame die niet om hulp had gevraagd") ("The Lady Who Had Not Asked for Help")

- "The Problem of the Leather Man"
- "The Problem of the Phantom Parlor"
- "The Problem of the Crowded Cemetery"
- "The Problem of the Miraculous Jar"
- "The Problem of the Enchanted Terrace"

- "The African Fish Mystery"
- "The Japanese Card Mystery"
- "The Zanzibar Shirt Mystery"
- "The Philippine Key Mystery"

- "The Case of the Shakespearaan Super-Chimp"
- "The Case of the Shocking Science Quarterly"

- "The Unguarded Path"
- "Coffee Break"

The Argosy Library: Four Corners, vol. 1 (2015) by Theodore Roscoe
- "He Took Richmond"
- "I Was the Kid With the Drum"

The Misadventures of Ellery Queen (2018) edited by Josh Pachter and Dale C. Andrews
- "Le mystère des ballons rouge" ("Mystery of the Red Balloons") by Thomas Narcejac
- "The Book Case" by Dale C. Andrews and Kurt Sercu
- "The English Village Mystery" by Arthur Porges
- "Elroy Quinn's Last Case" by Dennis M. Dubin
- "The Man Who Read Ellery Queen" by William Brittain
- "E.Q. Griffin Earns His Name" by Josh Pachter
- "The Ransom of EQMM #1" by Arthur Vidro

Single Short Stories:

Kendell Foster Crossen's "The Closed Door"
Carter Dickson's "Persons or Things Unknown"
Anna van Doorn "The House That Brought Bad Luck"
Randell Garrett's "A Stretch of the Imagination"
Paul Halter's "The Robber's Grave"

THE WORST OR MOST DISAPPOINTING READS OF 2018:

The Case of the Monday Murders (1936) by Christopher Bush

I had to cut a lot of Bush's mystery novels from my best-of section, because otherwise he would have utterly dominated this years list. So, in order to balance everything out, I'll add the only Bush that has so far disappointed me. A poor and utterly disappointing treatment of the Golden Age serial-killer story with a treat-bare plot. A complete dud.

The Other Bullet (1930) by Nancy Barr Mavity

As a detective story, this one began promising and had potential, but Mavity wanted to have her cake and eat it, but left a messy and disappointing story behind. And one that doesn't play particularly fair either.

Vegetable Duck (1944) by John Rhode

A rare, hard-to-get title that has often been praised by those who managed to get their hands on a copy, but nothing about it impressed me. Not the story-telling, plot or characters. Discovering this was a middle-of-the-road title in the series was a letdown to say the least.

My favorite locked room mysteries of 2018:

My love for the impossible crime tale is well documented on this blog with more than 400 blog-posts tagged with the "Locked Room Mysteries" label. Predictably, I have read quite a few locked room stories this year, but my two favorites came from the Detective Conan anime series. The Cursed Mask Laughs Coldy has a standard locked room premise, but the ingenious solution is startlingly original and has to be seen to be believed. The Case of the Séance Double Locked Room has a pair of cleverly contrived, ingeniously linked impossible murders. I consider these two episodes to be classics of the locked room detective story.

I wish everyone who has continued to read my blog a Merry Christmas and a Happy New Year! I'll see you all in 2019. :)

12/22/18

Ghosts of Christmas Past: "The House That Brought Bad Luck" (2018) by Anne van Doorn

"Het huis dat ongeluk bracht" ("The House That Brought Bad Luck") is a recently published short story by "Anne van Doorn," a pseudonym of Dutch crime writer M.P.O. Books, which takes place during those long, dark and snowy days of Christmas. An old-fashioned detective story about a haunted house and an elusive figure "who can travel through the air like Santa Claus."

Lucrezia Izelaar is the former wife of a Turkish criminal, Murad Uysal, who used to own a coffee shop, but "the sale of cannabis was his legal activity" and supplemented his income with rip-deals and robbing weed growers – leading to an inevitable spell in prison. Naturally, she divorced him and remarried the director of an export company, Menno Izelaar. Murad had threatened her that he would never allow her to leave him or take their children with him.

This was not a problem, as long as he was locked up, but, as his impending release date drew nearer, the trouble began. So they quietly moved to a villa in Oosterbeek, named De Alpenroos (The Alpine Rose), which has a yard enclosed by a high, thick and "impenetrable hedge." There's a main gate with "an intercom and a security camera directed at the entrance." The garden gate was kept securely locked at all times. A fairly save and secure home, but the place has a dark and tragic history.

De Alpenroos is merely a stone's throw away from the place where the Allied Forces had battled intensely with the Nazis during Operation Market Garden in 1944.

During this period, the Nazis had billeted four soldiers in the villa and three of them died fighting in the surrounding forests, but one of them returned, Günther, who was mortally wounded and collapsed at the front door – banging and screaming to be let in. Only problem is that the then owners of the villa had also been hiding Jews in the attic. So they couldn't let him inside and left him to die outside. Günther cursed them with the last breath in his lungs.

If you know your history, you'll know that Operation Market Garden was the proverbial bridge too far. So the then owners of the villa were summarily executed and "de onderduikers" (people in hiding) were transported to Germany.

Well, the ghost of Günther has stirred from eternal slumber to haunt and torment Lucrezia's family. However, she believes the person responsible for all of the devilry around her house is her ex-husband. Not the ghost of a German soldier from the Second World War. Unfortunately, the police has no interest or the time to tackle a ghost, real or fake, which is why she engaged two particuliere onderzoekers (private investigators), Robbie Corbijn and Lowina de Jong – who are presented with "an impossible case." Corbijn even becomes an eyewitness to one of the ghostly manifestation in the villa on Christmas Eve.

Late in the evening, someone or something began to loudly knock on the front door, as if a clenched fist was repeatedly hammering on the woodwork, but, when they pulled the curtains aside, nobody was standing there. And the knocking continued!

Late in the evening, someone began to loudly knock on the front door, as if a clenched fist was repeatedly hammering the woodwork, but, when they parted the curtains, nobody was standing there. The knocking continued! Corbijn sprinted to the door and there were, at most, two seconds between the last knock and the opening door, but nobody was there. So how did this elusive figure manage to get pass the electronically locked gate and the thick, thorny and impenetrable hedge?

A second, very similar impossibility happened the following night: repeated knocking on the door and this time they heard a disembodied voice screaming and cursing in German, but nobody was standing there when Menno opened the door. However, this time Corbijn had installed a camera-trap and the incident was captured on video. What the camera captured was "a luminescent shadow."

Floor plan of the first floor of De Alpenroos

There's a third impossible situation when Lucrezia's youngest daughter becomes hysterical when she saw a bearded man ticking against her bedroom window, but the wall has no support to cling on to, such as a drainpipe, nor were there any "footprints or impressions of the legs of a ladder" found in the grass below. This is only the beginning. A bearded man visits the villa and leaves behind a dead body in a locked room, which is quickly and easily explained, but this late murder is a only minor side-puzzle in overall plot and murderer's revelation is a type of solution I generally dislike enormously – although the trick was convincingly and properly motivated. So there's that.

The main attraction of the story remains the inexplicable, ghostly activity around a tightly locked and secure house, all of them were clued or foreshadowed, but as pleasantly clever and old-fashioned as the plot was the presentation and structure of the story. There's a floor plan and the policeman in charge even comes up with a false solution. Every aspect of the story, plot, characters and clues stick and work together like the innards of a Swiss watch. I particularly liked how beautifully the method for the impossibilities dovetailed with the identity of the ghost and the motive.

This places "The House That Brought Bad Luck" on par with other more recent Christmas-themed locked room short stories such as Paul Halter's "La marchande de fleurs" ("The Flower Girl") and Szu-Yen Lin's "The Miracle on Christmas Eve" (collected in Realm of the Impossible, 2017). Not a bad company to be in.

"The House That Brought Bad Luck" is a short story with a snowfall of impossible crime material, clues and even an unaccountable murder, which all helped making this story my favorite entry in the series. As you all know, I don't like locked room mysteries. I love them like a deranged stalker with serious boundary issues. So the fact that this one was written by one of my compatriots made it all the more enjoyable

The previews of the upcoming releases promises even more locked room-like short stories! So you haven't seen the last of Corbijn and De Jong on this blog.

12/21/18

One Way Out (2012) by John Russell Fearn and Philip Harbottle

John Russell Fearn is my favorite second-stringer who tragically passed away in 1960 at age 52 and left behind an unfinished manuscript of a detective novel, entitled One Way Out (2012), which had "a very brief cryptic scribble" on the final page "setting out his thoughts on how it finished" – except that the scribble was too obscure to envision his intended ending. Philip Harbottle was unable to make heads nor tails of it and the manuscript was shelved for decades.

One day, Harbottle woke up with "an interpretation of what the notes could have meant" and completed the novel within days, which has since been published by Thorpe and Wildside Press.

What surprised me the most about One Way Out is that it read like an unpolished, first or second draft of a Richard Hull novel. The plot had been largely worked out and it toyed with the inverted detective, which is what reminded me of Hull, but One Way Out lacked the satirical touch of The Murder of My Aunt (1934) and Murder Isn't Easy (1936). And sorely missed a clever twist or gut-punch at the end of the story.

One Way Out begins with three passengers aboard the Scots Express bound for Glasgow: a well-known London financier, Morgan Dale, who's accompanied by his chief clerk of twenty years, Martin Lee. The third person is Dale's "no-good ex-secretary," Janice Elton. Dale had dismissed Elton a fortnight ago on account of her "misplaced romanticism" and having "made love to him on several occasions," which had become "the talk of the staff" – something that could tarnish his reputation. And he has a wife and children to think about. However, Elton refuses to let it go.

Elton confronts Dale in his train compartment and tells him she has been diagnosed with leukemia. She only has a little more than a year left to live, but is determined to leave Dale something remember her by. Something that will knock him from that high perch he's sitting on. 

When Lee returned, Dale bundled him into the compartment and told him Elton had committed suicide by emptying a whole bottle of strychnine. Dale wants to pull the communication cord to immediately warn the proper authorities, but Lee urges him to think their next move through, because her death could be interpreted by the police as murder. Lee finds an incriminating letter in her purse accusing her former employer of murder. So they decide to dispose of the body and destroy all of the potential evidence.

However, Lee is "a deep schemer" who has "an insatiable longing" to turn the tables on his employer and the death of Elton handed him that opportunity, because he didn't destroy the purse or its contents – using it as a lever to begin extracting money from Dale. The first four or five chapters are good and somewhat original treatment of the phrase, "what tangled webs we weave." Unfortunately, the story is derailed when one of these two characters is killed in random, unconnected traffic accident. This effectively deflated the strong opening and intriguing premise of the story.

The place of this character was taken by a tireless policeman, Chief-Inspector Royden of Scotland Yard, who's a police-detective in the tradition of Freeman Wills Croft's Inspector French.

A competent, hardworking policeman who diligently collects fingerprints, assiduously pokes around in ash-heaps and toys with his primary suspect like a cat with a captured mouse. However, I think it would have been more beneficial, in terms of story-telling, had this been a three-way between Dale, Lee and Royden – building counterplot upon counterplot. This was now missing and killed any possible excitement the plot could have generated. It didn't help either that the character who was left behind was completely out of his league against the experienced Chief-Inspector Royden.

One Way Out has a solid premise with an interesting take on the inverted detective story format: the unsurprising consequences of turning a suicide into a suspicious-looking death, but these ideas were never fully developed and you can blame part of that on the premature death of one of the main-characters – who should not have died. At least, not that early in the story. Secondly, there's the bland, all's well that ends well ending bare of any twist or surprise, which made the plot feel even more thread-bare than it already did. As said above, Hull came to mind when I read the opening chapters and kept expecting a similar kind of ending, which made me even suspect the suspiciously innocent-looking Mrs. Dale. But the plot was really as simple as it was presented to the reader.

So this was a very short and very minor crime novel that I can only really recommended to loyal readers of John Russell Fearn. Others might be a little more than underwhelmed by it.