Christopher
Bush's The Case of the Missing Minutes (1936) is the
sixteenth title in the Ludovic Travers series, published between 1926
and 1968, in which Travers has to demolish an alibi as ingeniously
contrived as the time-manipulation trick from Cut
Throat (1932) – except that here there was a human element
as to how ten minutes were lost to time. Or, as a certain detective
would have called it, "the blinkin' awful cussedness of things
in general."
I
have come to appreciate Nick
Fuller's observation that Bush was to the unbreakable alibi what
John
Dickson Carr was to the locked
room mystery, but The Case of the Missing Minutes has
another aspect that makes the book standout. The truly reprehensible
personality of the victim and how his own revelations forced Travers
to bow out of the case.
Quentin
Trowte is an elderly, eccentric sadist and his crime makes him as
repulsive a character as Mary Gregor (Anthony Wynne's The
Silver Scale Mystery, 1931), Sandra, the Fat Woman (Nicholas
Brady's The
Fair Murder, 1933) and Mr. Ratchett (Agatha Christie's The
Murder on the Orient Express, 1934).
Trowte
has obtained fully custody over his 10-year-old granddaughter,
Jeanne, who lives with him a dark, lonely house where she's
home-schooled by a private-tutor, Mr. Howcrop. Only other people who
are present are the two servant, Lucy and Fred Yardman, who are
banished to their cottage after the dinner table had been cleared.
However, they did not suspect anything untoward was happening in the
house, because the elderly eccentric appeared to dote and adore his
granddaughter. Yardmans were also of the opinion that Jeanne was "a
very deceitful child," but then they began to hear the shrieks
coming from the house in the dead of night.
Lucy
Yardman decides to write her former employee, Helen, whose brother is
Ludovic Travers and he decides to go down to place to observe the
situation, but when he arrives at the home he finds the door slightly
ajar and inside he finds Trowte sprawled in the hallway – gasping
for his last breath. Someone had knifed the old man in the back mere
minutes before he arrived. A frightened, white-faced Jeanne was
crouched by the stairs and she turns out to be fully dressed beneath
her nightdress, which is the first of many unsettling discoveries
they make about the girls.
A
doctor determined that Jeanne was an undernourished, "bundle of
nerves," which comes on top of the unsettling discovery that
the house had been fitted with means to spy on Jeanne and Howcrop.
Such as a secret panel in the dark, windowless bedroom of the girl
and the presence of a locked, but empty, room.
Travers
not only plays his usual part as a lanky, bespectacled detective, but
doubles as "Uncle Ludo" in an attempt to win the confidence of
the frightened child. But his interest in Jeanne is not merely to pry
information from here. Travers becomes genuinely fond of the child
and tries to analyze why he wanted her to be fond of him, which
eventually makes him to decide to withdraw from the investigation.
Overall,
the murder of the Quentin Trowte is a complicated one with many
side-issues. Why did the girl's tutor showed such great affection to
the girl after the murder and is there a link to a famous pianist
who's holidaying in the neighborhood? The local village physician,
Doctor Mannin, was asked by a passing car to help one of the
passengers, who had a stab wound in the arm, but after he had
stitched up the man he was knocked over the head and thrown in a
ditch – from which he emerged with a broken leg. However, this
plot-thread was the only one of the bunch that had a less than
satisfactory answer.
Japanese edition |
And
then there are the alibis. One of these alibis, if it was
manufactured, makes absolutely no sense. Not if that person is the
murderer. Interestingly, there was a very brief promise of an
alibi-lecture, like the Dr. Fell's locked room lecture in Carr's The
Hollow Man (1935), when one of the suspects asked Travers what
kind of ideas he specialized in. Travers answered that he specialized
in testing people's alibis and "trying to prove that no
gentleman, however ingenious, can be in two places at once."
Sadly, he only mentioned "clock manipulation" and the
time-honored dodge of convincing an impartial witness that "you
were not where the police claimed you were." I would have liked
a chapter-length lecture on all of the familiar alibi-tricks used in
detective stories. Has this been done by any other mystery writer or
perhaps in later Bush novel?
So
the case has more than enough peculiarities to keep an inquisitive
amateur fully occupied, but when Travers discovers why Trowte had a
twenty-five shilling bill from a pet shop he throws in the towel.
By
this point, Travers has a good idea who the murderer is and,
eventually, his policeman friend, Superintendent George Wharton,
finds his way to the murderer as well, but both are stumped by the
alibi. An alibi that continues to stump Travers until the very last
pages, during which he gets a flash of inspiration when Jeanne is
trying to stay up pass her bedtime and grasps the answer to the
missing ten minutes. An answer that's as clever as it's bittersweet.
The
Case of the Missing Minutes is Bush's The
Crooked Hinge (1938) and, while the alibi-trick does not
exactly qualify as an impossible crime, the plot is more Carr-like
than The
Case of the Chinese Gong (1935) and the cruel abuse of a
10-year-old child makes this a highly unusual, but memorable,
detective novel from the genre's Golden Era. Highly recommended.
I
guess the time has come to induct Bush into my personal hall of
favorite mystery novelists. Let's be honest, it was inevitable after
Dancing
Death (1931) and The
Case of the Arpil Fools (1933).
On
a final note, I wanted to do three Bush reviews in a row, but there
will be break and you can blame our mutual friend, "JJ,"
because he said Randell Garrett wrote a short Lord Darcy story with a
locked room trick that he considered to be top 20 material. Yes, the
guy who made an impossible crime novel
about wizards, swashbuckling specters and locked room murders a dull
snore-fest wrote a classic locked room tale. I'm sure he did. So you better pray that the story is as
good as you remember it, JJ, because it's next on my chopping block.
It sounds like you would rate 'Missing Minutes' very near the top of the list of Bush titles you've read? I'm really glad Dean Street Press decided to release so many Bush titles - the ones that Kate and Puzzle Doctor reviewed in the past, before these recent released, seemed to be weak mysteries. And so I'm relieved to discover that there are many strong titles awaiting to be read!
ReplyDeleteAs of now, I would rank Missing Minutes among the best three Bush titles read so far. Not just on account of how the alibis were handled, but for the story as a whole, which differed from your usual Golden Age mystery.
DeleteI bought this yesterday on your recommendation. Sounds good! It appears to be a good place to start with Bush.
ReplyDeleteI hope you'll like the book, Brad! :)
DeleteThanks! I had a stack of Amazon cards for my birthday. Lots of books!
ReplyDeleteHappy belated birthday, Brad! And if you like Missing Minutes, you should also get yourself a copy of Cut Throat. It has an alibi-trick as ingenious as any of Carr's best locked room illusions. You'll like it.
DeleteThank you sir! I thought I'd mention the cards because I told you that I had ordered the whole set of Roger Scarlett books based on your recommendation. I'm not independently wealthy, it was just my birthday. And the thought of an alibi trick as ingenious as a Carr illusion is very exciting indeed!
ReplyDeleteWhen I asked you in a different post where was a good place to start with Bush, you recommended The Case of the Missing Minutes. I just finished it and was impressed with the story as a whole. While there were only three suspects, I can see why Bush may be the "king" of the unbreakable alibi.
ReplyDeleteIf there is a rogue's gallery of the most odious victims/villains in GAD, the hateful Quentin Trowte would be in it along with Mrs. Boynton from Christie's "Appointment with Death", Mrs. Farcourt from Hugh Austin's "Death of a Matriarch", Battery Sergeant-major William George Yule in Witting's "Subject: Murder" in addition to the ones you mention above. Trowte is truly vile.
What I didn't believe though was that ROT13 gur phycevg, Znaava, jub jnf arneyl 80 lrnef byq pbhyq oernx uvf yrt naq fgvyy ubc ba bar sbbg gb n obng, ebj naq fphggyr gung obng gb gura penjy hc ba fuber nf cneg bs gur nyvov ur perngrq.
Nevertheless, that didn't diminish my enjoyment. It was interesting watching Travers meticulously and cleverly breakdown the alibis to get to the right answer. What I got from this that I hadn't expected was an appreciation for the emotions, humanity and warmth shown in this book toward young Jeanne. I don't see that often in GAD.
So thanks for the recommendation. I have plenty of other Bush titles on the big TBR pile including Chinese Gong, April Fools, Dead Shepherd, Tudor Queen, Cut Throat, Dancing Death, etc. and will look forward to more Bush in the future.
Great to hear you enjoyed this one! I may have overpraised Cut Throat on the strength of its alibi-trick, which made some people hesitant to pick up Missing Minutes on the same recommendation. Something I can kick myself for as it can stand (IMO) with the best from the period. So really glad someone finally gave it a try and appreciated this, as you said, very human detective story. Hope you enjoy the likes of Chinese Gong and Tudor Queen!
DeleteIf you want to meet a truly odious and repellent victim/villain, you have to pick up Nicholas Brady's The Fair Murder.
I read The Fair Murder based on an earlier recommendation from you. I have curated quite a great number of books by leveraging The Muniment Room archive on your blog. I did have to settle for an e-book for this one as I have never seen a used copy of it for sale.
ReplyDeleteWhile I found Ebenezer Buckle a fascinating detective, I don't remember ever reading something that disturbed me more than the motive for the crime, the women murdered as both a villain and a victim, the horror/upset I felt reading that as well as never feeling more sympathetic for fictional killer than this one. It is a book I won't easily forget.
I'm a stereotypical Dutchman when it comes to not being easily shocked, or upset, but even I found that level of naked, inhuman evilness a little unsettling. Yes, the person who planted that knife in her throat can only be called a humanist.
DeleteBy the way, let's not forget about the villain of The Murder on the Orient Express. There's a reason why that ending is so satisfying.