For the past two years,
I've been reading a lot of single short stories covering a 100-year
period, ranging from the anonymously published "The
Grosvenor Square Mystery" (1909) to Anne van Doorn's "Het
huis dat ongeluk bracht" ("The House That Brought Bad Luck,"
2018), but noticed my last short story review was posted in March –
discussing Mike Wiecek's techno-thriller "The
End of the Train" (2007). So it was time to return to the short
story and decided on a pair of locked room mysteries written by the
master of the short detective story, Edward
D. Hoch.
Over a career that spanned
half a century, Hoch wrote close to a thousand short stories and
created a whole host of popular detectives-characters. Some more
well-known than others.
Nick Velvet was created in
1966 as, to use Hoch's own words, an answer to Ian
Fleming's James Bond. A modern, sophisticated thief specialized
in "unlikely thefts of valueless objects," but, like many
fictional thieves before him, Velvet often had to play detective in
order "to accomplish his mission, free himself from a frame-up
or collect his fee" – which is easier said than done.
Particularly when the problem he has to solve is of the impossible
variety.
"The Theft of the
Venetian Window" was originally published in the November, 1975,
issue of Ellery Queen's Mystery Magazine and Velvet is engaged
by Milo Mason to go to Venice, Italy, to steal a mirror that he
considers to be "the most valuable object on the face of the
earth." Mason assures Velvet that the value of the mirror is
not monetary, but spiritual, because the mirror is a window, or
doorway, to an alternative universe and claims "the mirror might
have inspired Lewis Carroll." So he accepts the assignment
and goes to Venice to meet with the owner of the mirror, Giorgio
Lambazi, but then everything goes horribly wrong.
During their conversation,
Velvet drops sleeping pills into Lambazi's espresso, but, before the
drug took effect, Lambazi asks him to leave and he has to wait
outside the door until the old man goes to sleep. After fifteen
minutes, Velvet begins to skillfully pick the lock and unscrewing the
chain-link bolt, but, upon reentering the apartment, he finds Lambazi
apparently peacefully slumbering in his chair before the mirror –
except that his throat had been neatly cut! Lambazi had been alone in
the apartment. The only door was locked and bolted with Velvet
standing outside it all the time and the only window, overlooking the
canal, was "shuttered and bolted on the inside." So how
did the killer get in and out?
Surprisingly, considering
the premise of the story, "The Theft of Venetian Window" worked
better as whodunit than as an impossible crime story, because the
locked room-trick is disappointingly simplistic. Easily one of Hoch's
most basic and simplest locked room-tricks, which is disappointing
coming on the heels of an intriguingly posed impossibility.
Nevertheless, Velvet still has to earn his $20,000 fee and how he
collects it makes it a worthwhile read, but certainly not one of
Hoch's classic short stories.
If you want a second
opinion on this story, I recommend you read Christian Henriksson's "Stray
Impossibilities – Part Hoch," posted on Mysteries,
Short and Sweet, who praised the solution to the locked room
murder as "excellent in all its simplicity."
"The Theft of the White
Queen's Menu" was originally published in the March, 1983, issue of
Ellery Queen's Mystery Magazine and introduces "a highly
skilled antagonist," Sandra Paris a.k.a. The White Queen, who
specializes in impossible feats before breakfast – in the manner of
the White Queen from Lewis Carroll's Through the Looking-Glass
(1871). Velvet first heard of the White Queen from Rooster Vitale, a
minor organized-crime figure, who wants to hire him "to steal a
roomful of furniture." But he never steals anything of value.
So the job goes to the White Queen and she delivers on her promise in
a seemingly impossible manner!
One morning, Douglas
Shelton passes his study to the kitchen to make his breakfast,
glancing inside to see if everything was already, but, as he was
squeezing oranges, he gets a phone call asking him to take a look at
his study. The study was completely empty. In the few minutes Shelton
had been preparing breakfast, someone had managed to remove all the
furniture, but this was not the last escapade of the White Queen. The
next day a roulette wheel from an unused gaming table at the Golden
Fleece casino vanished with the place full of people!
Velvet decides to confront
Sandra Paris about cutting into his business, but learns Rooster
hasn't paid her fee yet, because there was supposed to be papers
hidden, somewhere, in the stolen furniture. So she offers him his
usual fee to find the papers in the stolen furniture that she had
already "reduced to rubble in a futile attempt to find the
papers," which makes for a good, Ellery
Queen-like hidden
object puzzle with a double-layered solution. Velvet also to
figure out how every stick of furniture was taken out of the study
within a couple of minutes and how the roulette wheel vanished from
the middle of a crowded casino, but Velvet also has reputation to
protect and makes a bet with the White Queen that he can steal her
menu at breakfast some morning – she promises to pay him
twenty-five thousand dollars if he succeeds. And he earns his money
by making the menu miraculously disappear from her hands. Hoch showed
why he was master of the short story with the casual revelation of
the solution to this third and final impossible disappearance.
My only objection is that
Paris should have immediately figured out how the menu disappeared,
but, in every other regard, "The Theft of the White Queen's Menu"
is a splendid and richly plotted caper with no less than three
miraculous disappearances. Somewhat reminiscent of Norman Berrow's
caper The
Three Tiers of Fantasy (1947) with the solution to
disappearance of the furniture being the absolute highlight of the
plot. The problem of the stolen roulette wheel and menu were very
minor in comparison, but certainly added to the charm of the story
about two master thieves locking horns. Definitely recommended!
Sorry to see that the solution to the first story wasn't to your liking. I still like it.
ReplyDeleteWhen you're dealing with someone as prolific and varied as Hoch, they can't all be winners or to your personal liking. But the second story was great!
DeleteAre there any Queen books that compare to The Greek Coffin Mystery? Honestly when I started reading their works I thought they'd all follow a certain generic pattern that's overused these days ("stereotypical detective fiction story") but Greek Coffin Mystery was completely different from the three books that came before it and it actually dropped from my hands with how great of a twist the ending pulled off.
ReplyDeleteI really need to reread Ellery Queen, but, going by memory and what others have said, I would say The Siamese Twin Mystery. Just like The Greek Coffin Mystery, it's completely different from what came before it and introduced the dying message to the series.
DeleteI've heard great things about that one, they should be selling The Siamese Twin Mystery in most old bookshops that I've seen so I'll definitely read it.
DeleteThe Siamese Twin Mystery was reprinted earlier this year as part of Otto Penzler's American Mystery Classics.
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