Takemaru
Abiko is a founding member of the shin honkaku movement in
Japan and one of the mystery writers who emerged from the ranks of
the Kyoto University Mystery Club.
During
the 1980s, members of the Mystery Club would gather in the living
room of the man who would later launch the neo-orthodox movement in
Japan with Jakkakukan
no satsujin (The Decagon House Murders, 1987), Yukito
Ayatsuji, to discuss plot-ideas for honkaku-style
detective stories and have "lively discussions about the mystery
genre in general" – one of the members who almost always
there was Abiko. So it was only a matter of time before John Pugmire
of Locked Room
International peddled one of his impossible crime novels across
the language barrier.
Shinsoban
8 no satsujin (The 8 Mansion Murders, 1989) marked Akibo's
debut and the book was, as usually, translated by our very own
Ho-Ling Wong and
introduced by the doyen of shin honkaku, Soji
Shimada. Shimada noted in his introduction that, if you listened
to them back in the days, you could have mistaken the bantering
members of the Mystery Club for aspiring comedy writers, but "comedy
is a trademark of Abiko" and debuted with a humorous,
lighthearted homage to John
Dickson Carr that even comes with the obligatory locked room
lecture concentrating on quasi-locked rooms – which is "a
space which might not be physically sealed." Such as rooms
under observation or an unbroken field of snow.
The
8 Mansion Murders takes place in the home of Kikuo Hachisuka,
President of Hachisuka Construction, which is a three-story mansion
with an inner courtyard on the ground floor. The first and second
floor have covered galleries connecting the east and west hallways.
When viewed from the sky, the mansion looks exactly like the number
eight and this is why the place is commonly referred to as the 8
Mansion.
This
bizarre mansion was "designed without any consideration for
efficient use of space or ease of living," but "the layout
of this very mansion" provided the murderer with a fully
prepared stage for a deadly magic trick. We see the unknown murderer
pouring over the diagram of 8 Mansion in the prologue.
The
8 Mansion Murders begins one early, sleepless morning in the room
of Hachisuka's granddaughter, Yukie Hachisuka, who has company from
her sign language teacher, Mitsuka Kawamura, when they hear someone
in the gallery and looking out of the window they're surprised to see
Yukie's father, Kikuichirō
Hachisuka – who's the Vice-President of Hachisuka Construction.
Suddenly, an arrow cuts through the air and strikes Kikuichirō
down. Yukie and Mitsuka are knocked unconscious when they run
out to help Kikuichirō. When they
regained consciousness, Yukie and Mitsuka discover that the body has
been moved.
A
baffling and dastardly murder, but where, you ask, is the
impossibility? Well, Yukie and Mitsuka saw the room from which the
murderer loosened the deadly arrow, but the problem is that the room
in question belongs to the son of the family caretaker, Yūsaku Yano,
who claims to have been asleep at the time of the murder with the
door locked on the inside – immediately making him the number one
suspect. Yūsaku's situation does not improve when the police learns
he owns a crossbow that has gone missing.
Enter
Inspector Hayami Kyōzō of the Metropolitan Police Department,
Criminal Investigation Division 1 (Homicide), accompanied by his
subordinate, Kinoshita, who provide some of the comedy in this story.
Sometimes their comedic bits bordered on old-fashioned slapstick.
Hayami takes pleasure in placing his subordinate in harm's way and
Kinoshita emerges from this whole ordeal resembling a battered,
battle-scarred warhorse ("obviously
immortal"), but Hayami
does not escape unscathed himself. Hayami has a younger brother and
sister, Shinji and Ichio, who love detective stories and teasing
their older brother. Ho-Ling said in his 2012 review
of The 8 Mansion Murders
that "Abiko really
likes teasing his characters"
and placing them in "awkward
situations" to "see
them suffer." This is
definitely true when it comes to poor Kinoshita. He had his human
rights violated here. I still smiled though.
However,
it's not Hayami who solves the crossbow murders at the 8 Mansion, but
his younger brother, Shinji, who normally runs a coffee shop and even
delivers a solid locked room lecture, but not before one of the
witnesses is murdered under seemingly impossible circumstances –
nailed to a locked door with an arrow. There's an open window in the
room. Only problem with this scenario is that the window could only
serve as an entrance, or exit, if the murderer has the ability to
"fly around freely
anywhere in the house." I
actually liked this second impossibility, minor as it is, much more
than the central murder. A simple, believable and original play on
the Merrivalean cussedness of things in general. As if "John
Dickson Carr’s ghost himself had been behind it all."
I do think this locked room trick would have been better suited for a
short story, but appreciated its inclusion here nonetheless.
On
the other hand, the central puzzle of the impossible murder in the
gallery and the arrow shot from a locked and occupied room was a
mixed bag of tricks.
I
immediately understood how the locked room trick was worked, but only
because the principle behind the illusion is as old as Rome. I have
come across countless variations on this trick. So the impossibility
itself can hardly be called original, but this age-old trick was very
well handled by Abiko. I found it very inventive that the problem
here is not how a man could have vanished from a locked room, but how
two witnesses could have seen "a
person inside a room he couldn't have entered"
or why the murderer had to move the body around in the gallery –
showing a young mystery novelist full of promise. Abiko also has an
impeccable taste in detective stories going by the references to
other mystery writers and detective characters. Particularly Carr!
I
think The 8 Mansion Murders
goes hand-in-glove with the impossible crime novels of other admirers
and followers of the master of the locked room problem, such as John
Russell Fearn, Paul
Halter, Derek
Smith and David
Renwick, but you have to be a little familiar with Carr's work to
fully appreciate Abiko's homage. Just like Jean-Paul Török's
tribute to Carr, L'enigme
du Monte Verita (The Riddle of Monte Verita, 2007),
which has also been translated and published by Pugmire.
Nevertheless, in spite of these obvious ties to Carr's work, I
thought The 8 Mansion Murders was much closer, in spirit, to
Leo
Bruce's locked room parody Case
for Three Detectives (1936). The 8 Mansion Murders is
not a parody of Carr, but the humorous tone of the story and the
interaction between the detectives struck me as closer to Bruce than
anything Carr wrote. Yes, Carr wrote mysteries with slapstick comedy
(e.g. The
Skeleton in the Clock, 1948), but even they felt very
different from what Abiko did here. But that's only an observation.
So,
in closing, The 8 Mansion Murders is a fast, fun read with two
impossible crimes and an amusing cast of detectives, which comes
especially recommended to locked room enthusiasts and fans of Carr.
They'll get the most enjoyment out of the plot and story.
Oh,
just one more thing. I hope you don't have any personal plans this
summer, Ho-Ling. The Hungry Goblins demand more of this! :)
IIRC, Abiko himself says that first murder is only a quasi-locked room problem in that final summation, because the nature of the impossibility isn't quite so stark as with the second murder (after all, the person who was in the room could be lying when they say they didn't murder anyone...). The second murder trick is very nifty indeed, and while I agree it would work well in a short story I also think it's especially strong with all the the other shenanigans around it here.
ReplyDeleteThe comparison with Bruce is pretty apt, but I'd say it's like the other Sergeant Beef novels far more than it's like 3 Detectives -- there's that playing around with the slightly ridiculous trappings of the puzzle plot which Bruce worked so superbly into ...Without a Corpse, ...Ropes and Rings, and ...for Sergeant Beef, whereas ...Three Decectives is an outright full-on spoof of the genre taking aim at its biggest names. But, either way, there's a comparison to be made.
Incidentally, I'm not even sure this comment will appear -- I've had trouble with Blogspot blogs again of late. So here's hoping...
Well, if you put it like that, I suppose you can say that The 8 Mansion Murders is closer to (for example) the more subtle, but equally funny, Case for Sergeant Beef. In any case, my comparison stands. :)
DeleteYour post come through fine. No idea why these problems keep happening. This never used to be a problem.
Great review! I do agree that the second impossibility is more appealing than the first and, like you, I found that aspects of the first immediately occurred to me. The comparison with Bruce would never have come to my mind but the moment I thought about it I agree it fits.
ReplyDeleteSo... we're in all agreement that Takemaru Abiko is the Leo Bruce of the shin honkaku movement? I say it's settled.
DeleteIf Pugmire ever decides to publish another Abiko mystery, he can put "The Leo Bruce of Japan" on the back cover. You're welcome!
Now you're all making me very curious to try Leo Bruce! But he'll have to wait until Autumn in the best.
ReplyDeleteAs for this one I really liked it when I read it. I do agree with the second impossibility being a lot more interesting. Certainly a worthy trick!
You're in for a treat, Yannis! Bruce was a comedic mystery writer who was actually funny and not limited to the mere comedy of manners. Unfortunately, he abandoned Sgt. Beef for the dull and more serious-minded Carolus Deene. So you better savor those Sgt. Beef mysteries.
DeleteThanks for the review!
ReplyDeleteThe first murder can be rather obvious if you think of it, and in the original draft of the introduction, Shimada even went into detail about the origin of the trick (even calling it by name!) so that had to be edited a bit :P
With the lecture, I liked how it built on both Carr and Rampo's work. Abiko/Shinji doesn't add much to those lectures of his own, but it works in the context of someone in the late eighties summarizing those lectures, followed by the position that a lot could, and has happened in the years following those lectures.
You're welcome! And I hope this won't be last we'll be seeing of Abiko on this side of the language barrier.
DeleteHonestly, these locked room lectures rarely have anything truly new to add. They're usually nothing more than an homage to Carr and the locked room sub-genre that impossible crime fans, like me, can fanboy about. Nevertheless, it was a solid summation and slightly more original than others as it focused on impossible crimes in rooms that are not physically sealed.
So I liked it. And, as you said, a lot has happened with the locked room story in Japan since The 8 Mansion Murders was published. So this locked room lecture might have actually achieved something.