"Crimes 're committed by people. There ain't nothin' impossible about it! What are ya stupid?"- Harley Hartwell a.k.a. Heiji Hattori (Gosho Aoyama's Case Closed, vol. 50)
Last
Sunday, I posted a review of my third foray into the Kindaichi
Shounen no Jikenbo R (The File of Young Kindaichi R)
series, The
Alchemy Murder Case, which closely followed the formula
established in the original incarnation of the series, but the plot
had a grand and original locked room illusion – a two-sided trick
that also explained the secret behind the vanishing of a gigantic
sword. So it was the third (episodic) story in a row that did not end
in disappointment.
But
than an old friend of this blog, "Origami," turned up in the
comment-section and jinxed my epic rediscovery of the series. Oh,
yes. This is going to be a good, old-fashioned bashing of Kindaichi.
The
Legendary Snow Demon Murders is stretched across four episodes
and takes place against the endless, snow-capped mountain tops of the
Snow Goblin Ski Resort, which has recently been developed by an
investment group and a handful of people have been selected for a
trial run – including the protagonists of the series, Hajime
Kindaichi and Nanase Miyuki. However, they're present at the resort
as part-time workers to help take care of the testers. And, as to be
expected, there's a dark, bloody history attached to the place.
On
New Years Eve, 50 years ago, the now long-abandoned mountain village
was visited by the legendary Snow Demon, who left behind a trail of
blood and empty houses, but the remains of his many victims were
never recovered. Everyone in the region believed that the missing
villagers had all been "eaten by the Snow Demon." Well, so
far, so good. But not for very long.
The
legend of the Snow Demon and the miraculous vanishing of his victims
enters the picture when one of the guests, Kumosawa Natsuki,
disappears from her log cabin without leaving a single footprint in
the large, unbroken blanket of virgin snow outside – which had
began to fall when she had retired and stopped when she was
discovered to be missing. She had been spirited away! An unlikable
guest and "creepy otaku," Sabaki Kaito, disappears during
the second episode, but his body is found and vanishes again, which
is the point where the story begins run out of fuel.
A
large swath of the second episode and pretty much the entirety of the
third is nothing more than filler material. And not very good filler
material at that!
There
are two basic, and simplistic, problems at the heart of these two
episodes: the (non-impossible) disappearance of Sabaki's body from a
casket and who flung a bloodstained meat-cleaver through the window
of the main cabin when everyone was alibied. The answer to the first
problem is a reworking of a cheap, dime-store magic trick, but with a
body and casket replacing the coin and small box, while the
meat-cleaver trick is embarrassingly childish and bad – even the
Ayatsuri
Sakon series would have shied away from using it.
So,
I was thoroughly unimpressed with the plot, but hoped that the
explanation of the impossible disappearance would save the episode.
After all, I had my doubts about the previous episodes I watched and
they turned around in the end with some splendid solution. Well, that
did not happen in this case, I'm afraid.
Sure,
the explanation for the impossibility is, in principle, an excellent
one that might also be completely original, but I had two problems
with it (you can re-reverse, or decode, the spoilers with copy-paste
here):
1)
.troser eht fo tnempoleved eht htiw devlovni ylesolc erew ohw
elpoep eht yb deciton eb ton dluow taht eveileb ot drah ti dnif I
?troser eht fo niarret eht morf deraeppasid dah nibac gol eritne na
taht deciton ,tnatsissa eht sa hcus ,ydobon yletulosba did yhW
2)
.tolp eht fo xurc eht neeb taht dah gnivigrof erom tol a neeb evah
dluow I .yrots neeuQ yrellE suomaf taht morf esuoh eritne na fo
ecnaraeppasid eht sa hcuS .nibac gol elohw eht fo gnihsinav eht tuoba
neeb ytilibissopmi eht dah detanimile ,evoba denoitnem ,ssenkaew eht
dna denehtgnerts neeb ev'dluoc tolp llarevo ehT ?deraeppasid dah
stnirptoof emos dna nosrep eno fi sa raeppa ti ekam ylpmis ot kcirt
elacs-egral ,etarobale na a hcus esu yhW
The Snow Goblin Ski Resort |
As
to be expected, the who-and why behind the killings weren't
particular ingenious, innovative or very surprising, because the
murderer's identity and motive were written around the avenger-motif
used in nearly every single story in this series. I suppose the
choice of the murderer was the only notable aspect of the plot, since
this person was below suspicion, but hardly enough to save this dull,
slow-moving episode stuffed with mostly second-and third-rate tricks
– which triggered traumatic flashbacks to my first encounter with
this series. The original Kindaichi series is like my 'Nam or
something.
Surprisingly,
this blog-post turned out to be not half as harsh as even I expected
it to be. I'm disappointed, more than anything else, because the
premise and main trick of The Legendary Snow Demon Murders had
potential, but everything ended up being half thought-out or
completely wasted. Such as the horrible filler material and the
series formula didn't do the story any favors either. However, this
will not deter from continuing with the series and you can probably
expect a review of The Rosenkreuz Mansion Murders next. That's
a good one, right?
On
a final, unrelated note: allow me to draw your attention to my
previous review of Stacey Bishop's Death
in the Dark (1930), which is a very rare detective novel that
has recently been reissued and the plot toys around with no less than
three impossible crimes! So you might want to take a peek at that
review. By the way, the next review will be of a non-impossible crime
novel. Yes, I'm still aware of their existence! :)
I wouldn't say I loved the story, but I did like the overall set-up, as we don't have 'disappearance' stories in the series. For the longest time, there's no evidence of any crime, and that gives it a slightly different alienating feeling compared to the usual 'look, there's another body lying around here!'. It's not a memorable story by any means, but I did like that point.
ReplyDeleteAbout your two points though, I think that 1) is precisely what you'd want to avoid as the murderer, as that'd point exactly in the solution's direction! "Dividing the problem" works much better IMO than keeping the problem as is. As for 2), aren't there only two people there who _could've_ known about that in advance, one of which with a very good reason to keep it out of the other person's eyes (and capable of doing so too)?
I don't know whether you've also seen the anime or only read the manga, but the uncertainty of what happened isn't really well conveyed in the anime adaptation. For one, the murders are shown to the viewer. So you're not left in uncertainty over what happened. You know the victims died, but not what the murderer did with the bodies. And for the longest time here is the second episode, when the second body turns up and disappears again.
DeletePurely an episode written around several impossible disappearances, until the bodies are found at the end, would have been a nice divergence from the usual recipe, but that's not what happened.
Yes, there are only two who know and one of them could, sort of, keep it from the other (I guess), but for how long? One of the earlier scenes showed a birds-eye view from a top of the slopes and everyone could have noticed something was wrong. Kindaichi eventually did. And that's why I believe why something else had to be part of the presentation of the impossible disappearance as well. If that had disappeared, impossibly, in its entirety the murderer would also not have to bother with trying to prevent the other person from noticing something was out of place.
So, no, this story was far from impressive.
I have only read the manga, and flipping it through makes it seem there are some small differences. For one, the first death is never shown on screen, only the victim crying out. The second victim is only seen assaulted as a shadow/silhouette, so we never actually see them dead until they appear (at the end of the same chapter), but even then we don't know *if* they're really dead, as we didn't see him die on screen. So there's less certainty. They might be faking it, for example.
DeleteThere wasn't a birds-eye view shot in the manga either, guess they added that for the anime to make it easier. Considering the lay-out of the resort though, there was only one moment anyone could've noticed that though, and that was only if they looked (and remembered) while on the [spoilers], so it was never a certainty. The way the resort was laid in relation to the arrival point (ropeway) made it so they couldn't really get a good look at everything as they skied their way down either. Hajime only notices what happened because of the clue inside the lodge, and then thinks of the other clue as confirmation.
"There wasn't a birds-eye view shot in the manga either, guess they added that for the anime to make it easier."
DeleteNot only was there a birds-eye view shot of the resort in the anime, but, at the beginning of the episode, Kindaichi took a picture with his phone from the summit. This picture showed something that had gone missing by the end of the episode. I guess the trick worked better in the manga than the anime.
I disagree with you about the effect of the vanishing people. The viewer, or reader, should have been shown those (strongly) suggesting they were murdered. The victims should have just disappeared. That would have desired effect (of uncertainty) and would have made the trick with the bloodstained cleaver more acceptable, because one of the missing characters could have done it.
Anyhow, I just didn't like this episode.
Haha appreciate the mention. Nice read as always.
ReplyDeleteOrigami
Glad you appreciate it. :)
Delete