"If we're going to get to Mars, we're going to have to clear the maps. The dragons, Cyclops, and other monsters of the mind must be killed, and the siren exposed for the fraud she is."- Robert Zubrin (The Case for Mars: The Plan to Settle the Red Planet and Why We Must, 1996)
Manly
Wade Wellman was, what you would call, a "fictioneer" and his bibliography
covers a multitude of genres, which range from fantasy and horror to
science-fiction and detective stories – raking in several awards along the way,
e.g. World Fantasy Award and Edgar Allan Poe Award.
I previously
reviewed two stories from Wellman's body of work: an impossible crime novel
with a hardboiled edge, entitled Find
My Killer (1947), and a short story, "A
Knife Between Brothers," collected in The Black Lizard Big Book of
Locked Room Mysteries (2014).
It's purely
coincidental that both tales are listed in Locked Room Murders (1991),
but the subject of this review, Devil's Planet (1942), apparently
escaped Robert Adey's attentive eye. That's a shame, because it's an
efficacious example of the science-fiction/mystery hybrid and predates Isaac
Asimov's The
Caves of Steel (1954) by more than a decade – which is considered to be
the prototype for these type of genre-benders.
Devil's
Planet was originally published as a book-length
novel in Startling
Stories and takes place on the dry, parched surface of a dusty,
drought-stricken Mars in the 30th century. And that's more than 900 years in
our future!
The protagonist
of the story is Dillon Stover, who grew up on the laboratory farm of his late
grandfather in the Missouri Ozarks, but has recently inherited both a small
fortune and a mission from the old man: perfecting the condenser-ray to make
rain possible again on the thirst-choked planet. But, before he can get to
work, Stover visits Pulambar, "the Martian Pleasure City," which is the
last place on Mars with lakes, canals and a well of trouble!
Mace Malbrook
is one of the (main) oligarchs presiding over Mars and the foundation of their
rule is a tight grip on the water monopoly, but the first encounter between
Strover and Malbrook ends with the former clipping the jaw of the latter –
giving Malbrook an opportune excuse to get rid of Strover through a crooked duel.
News of the
altercation and possible duel between the two spreads, which makes Strover the
prime-suspect when Malbrook dies in a mysterious explosion behind the locked
door of his private and fortified room. A dying Martian, Prrala, was with
Malbrook when the explosion occurred and claims Strover appeared in the room,
while he was actually on the outside of the room.
However,
Prrala's final words are enough for Chief Agent Congreve of the
Martio-Terrestrial League Service to place Strover under arrest, but that’s
when the story really begins to move. Strover manages to escape from both the
prison and the city. Nearly dies in one of the sun drenched deserts of Mars.
Returns to the city and dons an ancient disguise to examine the scene of the
crime, while dodging an eager murderer with an expending body count.
Wellman
adroitly blended fast-paced story telling with a well thought out plot and
encapsulated all of these different elements in a new and fascinating world,
which only seems to have one drawback: this universe appears to have stagnated,
culturally and technologically, after the 20th-and 21st century, because there
are references to "an ancient but most readable work," known as Alice
in Wonderland, and the New York theatrical world of the twentieth century,
but nothing more recent than that. The technology is unimpressive for a story
that's set a millennium from now on a nearby planet, which is exemplified in
the clunky, simplistic robot servitors trudging around the story.
Plot-wise, a
seasoned mystery reader should be able to piece together the identity of
murderer and motive together, but the method for the locked room explosion
deserves a nod of acknowledgment, because it's clever and reasonably well
clued. I wonder if the idea for this trick and futuristic locked room scenario
came to Wellman after reading [SPOILER: Nine Times Nine (1940) by
Anthony Boucher].
Anyhow... if
this poorly written review has made you curious about this exemplary specimen
of a hybrid mystery, you can pick up a copy of Devil's Planet from both Adventure
House and Ramble
House.
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