"Though everything will seem dark to you now, remember that even behind the darkest clouds of night there shines the moon of dawn."- (Robert van Gulik's "The Wrong Sword," from Judge Dee at Work, 1967)
The Body
Snatchers Affair (2015) is the third, full-length
novel in the historical Carpenter and Quincannon series, which began with a
standalone book, Quincannon (1985), that formed the basis for a series
of magazine stories and an excellent selection of those stories – collected as Carpenter
and Quincannon: Professional Detective Services (1998).
In 2011, I
announced on my blog that the William Roos and Aubrey
Kelley of our time, Bill
Pronzini and Marcia
Muller, were collaborating on a series of novels starring the duo of gumshoes operating in the San Francisco of the late 1890s. The
Bughouse Affair (2013) and The
Spook Lights Affair (2013) were the first to appear and The Plague of
Thieves Affair (2016) is slated for release early next year, but first let's take a look at The Body Snatchers Affair.
The lion's
share of The Body Snatchers Affair is modeled around the plot of a short
story, "The Highbinders," from Carpenter and Quincannon: Professional
Detective Services, in which the body of a Tong leader, Bing Ah Kee, is
unceremoniously snatched from his coffin – a potential triggering move for a
small-scale civil war on the streets of Chinatown.
Quincannon is
hired to fetch a drug-addicted lawyer, James Scarlett, from an opium den, but
his half conscious quarry is fatally shot while attempting to carry him out of the Chinese Quarters.
The last words Scarlett uttered, "blue shadow," amounts to a dying
message, however, the explanation for this part of the plot is the same as in
the short story. So it won't yield any surprises, if you've read and remember
that particular story, but a good and interesting expansion nonetheless.
While
Quincannon attempts to quell a rising fire in Chinatown, Sabina Carpenter has
one or two problems of her own to take care of, one professional in nature and
the other personal, but in both cases she tries to keep Quincannon in the dark
as much as possible.
The professional
problem concerns a client of hers, Mrs. Blanchford, who received a $75,000
ransom note for the return of her late-husband's remains. Mrs. Blanchford's
husband was interred in the family mausoleum and the door can only be opened
with a key that was in a safety-deposit box inside a secured bank building, but
the note contained Ruben Blanchford's wedding ring and a piece of satin cut
from the lining of a casket.
It's
completely impossible to enter the solid looking, family crypt and take away
the body, but the casket proved to be indeed empty upon inspection – which is
what is being carefully kept from Quincannon. Sabina knows he would insert
himself in her investigation, because Quincannon "fancied himself an expert
on that sort of mystery" and wants to solve this locked room case herself. If,
like me, you fancy yourself a student of the Grandest Game in the World (the
obligatory John
Dickson Carr reference) then the disappearance from the crypt won't pose
much of a challenge for you, but that doesn't make withholding an impossible
problem from a locked room enthusiast any less reprehensible. That's like
taking painkillers from a sick person. You just don't do that.
Coming: 2016 |
However, I
enjoyed how the two seemingly unrelated cases of body snatchings dovetailed with
each other without actually being intertwined.
The personal
problem begins with Carson Montgomery, a metallurgist, who's vying for spot
coveted by Quincannon, but Sabina (a former Pink Rose operative) has always
been resistant to male advances (especially Quincannon's) ever since losing her
husband in the line of duty. Just when Sabina thinks Carson may be the new man
in her life, she notices an old, familiar face is watching them. The crackpot
who claims to be Sherlock Holmes, first appearing in The Bughouse Affair,
has been shadowing them and this eventually leads to a mining scandal from a decade
ago and an (unsolved) murder in the background. But more importantly, it casts
an interesting light on the bughouse Holmes and his possible role in the next
novel.
My theory: the
twist is that the bughouse Sherlock Holmes was Professor Moriarty all along,
who thought Quincannon was the actual Holmes in hiding and that gray-flecked,
bootleggers beard one of his disguises. The Plague of Thieves Affair
could be a hint at Moriarty's next big caper.
Conclusion:
The Body Snatchers Affair has everything what you've come to expect from
Pronzini and Muller, but be warned, the book contains material that readers who
were onboard with series before 2013 are already familiar with. That being
said, I can't wait for the release of The Plague of Thieves Affair. I'm
sure it'll contain another impossible problem or two.
The photographic jackets with the models posing really put me off.
ReplyDeleteI guess these covers were picked to lure readers of historical fiction in general (and particular of fiction set in that period of time) to the series and perhaps catch the attention of steam punk fans, because I have seen covers from that genre with a similar photographic covers.
DeleteLook at it like this: you barely have to look at the covers while reading the books.
Sounds marvellous - I love both these guys - thanks TC.
ReplyDelete