Back in 2016, I compiled
a brief overview, under the title "A
Selection of Lost Detective Stories," listing a number of
examples of long-lost or unpublished manuscripts from the hands of
celebrated and lesser-known mystery writers – such as Glyn
Carr, Joseph
Commings, Theodora
DuBois and Hake
Talbot. The idea of the existence, or partial existence, of a
phantom library is as fascinating as it's frustrating. Even more so,
when it disproportionately affects a writer you happened to be very
fond of.
One of my favorite
second-stringers, John
Russell Fearn, was a prolific writer of lost detective stories
and he didn't limit himself to merely losing sight of manuscripts.
Philip
Harbottle kindly provided me with all the background details.
A fragment from an alt-reality |
Harbottle told me
that "several wonderful impossible crime novels," written
by Fearn in 1946, were lost and apparently destroyed, because
hardcover publishing in the U.K. suffered from paper shortages during
the post-war years and many books were delayed – often "never
appeared at all" and "were lost." Fearn sold three
novels under a penname, "Rosina Tarne," of which only one came
close to actually being published.
You Murdered Me
would have told the story of the ghost of a murdered woman who helps
her grieving boyfriend/detective bring her killer to justice and the
manuscript was proofed, blurbed and appropriately advertised on the
jacket of Gordon
Meyrick's The Ghost
Hunters (1947). There are only "half
a dozen scattered pages of mss carbon" left of the
second novel, entitled The Eyes Have It, which reveal that the
story followed a husband-and-wife detective team investigating "a
dead body in a swimming pool" with resonances of Wilkie
Collins' The Moonstone (1868). Yes, a Fearn mystery novel
along the lines of Kelley Roos' The
Frightened Stiff (1942) got lost. God has some serious
explaining to do!
Sadly, Murder in
Suburbia has been completely erased from existence as nothing,
whatsoever, is known about it and "nothing has survived."
However, the title makes me wonder if Fearn rewrote the story nearly
a decade later as Lonely
Road Murder (1954). Murder in Suburbia strikes me as
an uncomplicated, straitlaced crime story without any locked rooms,
cast-iron alibis or science-based death-traps – like Lonely Road
Murder. Something not entirely out of the realm of possibilities,
because there's a possible change that the presumed lost Partners
in Crime was eventually published as Murder's a Must
(1949; retitled later as The
Tattoo Murders). However, this is just an educated guess by
Harbottle.
The last title to be
added to this lamentable list is about "an impossible murder on
a railway," titled Unfinished Journey, which he intended
to get published under the name of "Hartley Grant," but
manuscript was apparently rejected. Regardless, Fearn was an amateur
cineaste and, in 1949, created the Fylde Cine Club. One of the
movies they made was an ambitious, full-length (silent) movie
adaptation of Unfinished Journey starring Fearn, Matt
Japp and published author Audrey
Weigh, who recorded the lines on a tape recorder – a tape that
got either lost or destroyed! However, Harbottle salvaged three boxes
of the club's 16mm films and them transferred to VHS tapes, but the
firm managed to mix "the running order of the three film spools"
and made them run backwards. Harbottle said he only watched the
silent VHS once, a quarter of a century ago, and was "so
traumatized" that he never watched it again.
Honestly, I would love to
get a glimpse of that silent film. Not just to get a taste of a lost
impossible crime story, but just to watch Fearn acting. Someone
should convert those VHS tapes and upload them to YouTube.
Seems appropriate |
Sadly, Fearn is not the
only one who lost a handful of manuscripts: R.T.
Campbell wrote eight popular detective novels about a botanist
and amateur detective, Professor John Stubbs. Five more titles were
announced as forthcoming, namely The Hungry Worms Are Waiting,
No Man Lives Forever, Death is Not Particular, Death
is Our Physician and Mr. Death's Blue-Eyed Boy, but his
publisher went into liquidation in 1948 and the manuscripts were lost
to history. So just between Campbell and Fearn, you have nine or ten
mystery novels that were expunged from our time-line. And, yes,
there's more. There's always more of the bad stuff.
Willoughby Sharp was the
author of two published detective novels, Murder
in Bermuda (1933) and Murder
of the Honest Broker (1934), who provided this list with the
most peculiar and tantalizing lost title. A third novel was announced
for 1935, intriguingly titled The
Mystery of the Multiplying Mules, which came with a short
description of the premise and the story would have made for a most
unusual locked room mystery – as mules keep turning up inside the
locked barn of the Logan family. No reason was ever given why the
book got canceled.
Another mystery writer
with a short-lived career was Kirke Mechem and only saw one of his
detective novels get published, The
Strawstack Murder Case (1936), which has a strong rural
flavor. This is likely the reason why his second Steven Steele novel
was never published. The plot of the story, titled Mind on Murder,
dealt with miscegenation in Kansas and Doubleday, Doran, turned down
his manuscript "on account of this sensitive subject matter."
The three novels by Mechem and Sharp have been reprinted by Coachwhip
Publications.
Christopher
St. John Sprigg plunge into Marxism and untimely death in the
Spanish Civil War ended a short, but promising, run as a mystery
novelist. Recently, Sprigg has profited from our current renaissance
era and all of his seven novels has been reprinted as paperbacks and
ebooks, but Curt Evans reported
in 2013 that there two unpublished short stories, "The Case of the
Misjudged Husband" and "The Case of the Jesting Miser" –
existing as typed manuscripts in Sprigg's papers at the Harry Ransom
Center at the University of Texas. Evans describes them as "longish
short stories" with a certain appeal and a noteworthy
detective, Mrs. Bird.
So these two short
stories still have a fighting chance to get published and maybe
sooner than we think. A recently published anthology, Bodies
from the Library 2 (2019), had never before published
material by Christianna
Brand, Edmund
Crispin and Dorothy
L. Sayers. I say we loot salvage as much as possible from this
phantom library!
Well, hopefully, this
rambling filler-post wasn't too depressing and I'll return to you
presently with a regular review of a detective story that wasn't
cruelly snatched away from us.
Ghhaaaah! Why do you have to reopen old wounds? Every time I remember Commings' The Devil's Third or Brand's The Chinese Puzzle...
ReplyDelete"Why do you have to reopen old wounds?"
DeleteLest we forget, Anon. Lest we forget.
My bad, I meant Commings' One for the Devil
Delete