A year ago, I reviewed The
Clue of the Phantom Car (1953) and The
Mystery of the Invisible Enemy (1959) by "Bruce Campbell,"
a penname of Sam and Beryl Epstein, who cemented their legacy as the
pioneers of the present-days Young Adult genre with the acclaimed Ken
Holt series – which tended to be darker and more intricately
plotted than most juvenile mystery series of the period. What's not
as well known is that Ken Holt has a predecessor, Roger Baxter, who
appeared in a couple of novels during the late 1940s.
The series
comprises of three novels, Stranger at the Inlet (1946), The
Secret of Baldhead Mountain (1946) and The Riddle of the
Hidden Pesos (1948), which were published under two different
names, "Charles Strong" and "Martin Colt." A very short-lived
series, but as highly regarded by fans as the more well-known Holt
series. And not without reason!
Roger Baxter is the
14-year-old protagonist of the series who lives with his 12-year-old
brother, Bill, in the small, coastal town of Seaview and they were
obviously the prototypes for Ken Holt and Sandy Allen.
Roger is, very much like
Ken, the meticulous, rationally-minded thinker of the two. However,
the difference between Ken and Sandy, who are the same age, is due to
intelligence, while the difference between Roger and Bill is clearly
age, because Roger has already began to mature and Bill is still in
the phase between childhood and adolescence – which can make him a
little bit naive at times. Roger and Bill are two very well-drawn,
believable child characters on par with the children and teenagers
found in the work of Gladys
Mitchell.
The story opens during the
summer holiday and the boys are planning to make a windmill on top of
the empty cottage, owned by their parents, which they have come to
regard "more or less as their private property."
Unfortunately, their mother informs them the cottage has been rented
for two months to a man, Robert "Slim" Warner, who wants a quiet
place to recuperate from an operation. Luckily, Slim has no problem
with Roger and Bill mounting a windmill on the roof of the cottage to
generate electricity for the cottage. However, they soon begin to
pick up hints and clues that Slim is not who he says he is.
Slim says he came to
Seaview to convalesce, but carried around heavy bag, two at a time,
without any trouble or pain. He drives "an old wreck of a car,"
but the motor in it "sounds almost brand-new." A power
generator was delivered to the cottage, but Roger knows he never send
the telegram to ask for it. And then there's the mysterious,
late-night visitor to the cottage and they boys overheard them
talking about Smugglers' Island.
An answer to all of these
questions come, roughly, a quarter into the story, which plunges
Roger and Bill head first into an exciting adventure that involves an
elaborate smuggling operation – who use the peaceful,
out-of-the-way seaside town as a clearing point. But this is all I
can say about the plot without giving away too much.
What I can say about the
story is that plot has a lot of nuts and bolts, which makes it a
younger relative of Freeman
Wills Crofts and John
Rhode. The early chapter detailing how Roger, Bill and Slim build
the windmill on top of the cottage reads like a partial instruction
manual and they learn how to operate "a six-volt radio."
As well as getting a crash course in Morse code. A combination of the
two is put to ingenious use when they find themselves in a tight
corner towards the end of their adventure. Obviously, a book that was
written for young boys and teenagers.
The sole weakness of this
excellently written novel is that the chase was more exciting, and
fun, than the eventual capture of the culprits, which hardly came as
a surprise. Something that enervates most juvenile mysteries for
older readers.
Nonetheless, Stranger
at the Inlet is a beautifully written, characterized and
adventurous mystery novel with an equally beautiful, well-imagined
backdrop. The writers evidently knew and respected their young
audience, which they would come to perfect in the Ken Holt series
when their plots became really trick and far more serious – fraught
with very real, dangerous situations and consequences. So these two
series are without question a cut above other juvenile series and can
be enjoyed by young and old alike. Just for that, they deserve to be
rediscovered.
Oh, maaaaan, not another clasic era YA series to track down...
ReplyDeleteSounds like a good addition to the ranks, nd one I'll keep an eye out for. I guess it's not surprising that so much of this stuff was written -- the Young Adult market was doubtless a target before there was even an acknowledged Young Adult market -- so it'll be interesting to see how much we can uncover in the years ahead.
I'm hoping to return to Ken Holt soonish, and then have plans to move onto Rick Brant, and from there...well, who knows?!
They had to keep the kids and teens entertained in those pre-internet days of limited TV programming (post-1940s). I'm sure we'll keep finding them in the coming years. The trick is in filtering the pure adventure, thriller and spy stuff from the genuine detective and mystery stories.
DeleteSpeaking of the Rick Brant series, I have one lined up for sometime next year. The one set in my country, but I'll probably return to either Ken Holt or The Three Investigators after that one.