"...so you can put that in your pipe and smoke it, Mr. Busybody Holmes."- Mr. Williamson (Sir Arthur Conan Doyle's "The Adventure of the Solitary Cyclist," from The Return of Sherlock Holmes, 1905)
In late April
of this year, I reviewed The
Studio Crime (1929) by Ianthe Jerrold, which was the first of only two
mystery novels she penned about John Christmas. That genial, conjecture-prone
and enthusiastic amateur sleuth.
The Studio
Crime was in spite of a disappointingly handled
locked room angle studded with promise, standing confidently by itself among
other apprentice works from the period, but it's its sequel, Dead
Man's Quarry (1930), that's been called a genuine lost classic – and I
agree.
Dead Man's
Quarry is set in the Wye Valley in the
Hereford-Wales borderland, known as the Welsh Marshes, which is dotted with the
familiar imagery of the British countryside: tiny villages, rustic cottages and
ancestral homes. Dr. Browning is exploring these parts during a bicycle holiday
together with his family and some friends. The party consists of his young,
adolescent son, Lion, who could've strayed from the pages of a Gladys
Mitchell novel. His sister, Nora, has brought along a friend from art
school, Isabel Donne, and there's a photographer, Felix Price, alongside with
his cousin, Sir Charles – who recently returned from Canada to inherit the
family title and Rhyllan Hall.
Upon his
return, Sir Charles presented himself with a cavalier attitude and that hasn't
made him very popular, which is a sentiment punctuated when his battered body
is found at the bottom of a disused quarry. Shot through the back of his head.
There's an equally battered bicycle lying next to the body.
At the coroner's
inquest, Morris Price, manager of the estate, is indicted for the murder of Sir
Charles and jailed to await trial, which was based around a letter speaking in
less than glowing terms about Sir Charles and his revolver was discovered to be
the murder weapon.
Luckily, John
Christmas stubbornly refuses to the settle with the apparent cast-iron facts
for an easy answer and drags his scientifically minded friend, Sydenham
Rampson, across the countryside to hunt for an alternative explanation – and clues,
of course. Rampson proved to be a better character for Christmas to play off
than Detective-Inspector Hembrow from The Studio Crime. On the one hand,
you have Christmas, who prefers to construct sky castles from the broad
characteristics of the case and see if the underlying facts will support the
structure, while Rampson prefers to search for answers through the lens of a
microscope.
There's an
abundance of seemingly unconnected facts getting the full brunt of Christmas'
imagination, which range from five pound notes, egg shells and a green bicycle
pump. There's also a mysterious woman who keeps appearing and there's a large,
interestingly cast of characters populating the area to be questioned. But, as
Rampson observed, "never forget that apparently disconnected facts are often
actually disconnected" and that's "far, far more often than Mr. Sherlock
Holmes and Mr. John Christmas seem to imagine."
It's this
pure, unadulterated detective work in combination with a humorous,
light-hearted tone, well drawn characters and an excellent constructed plot
that made Dead Man's Quarry a pure delight to discover. I'm therefore
especially proud at how fast I caught on to the identity of the murderer, but
(it must be said) the plot does owe something to a certain Sherlock Holmes
story. Finally, I want to point out how the combination of the Welsh backdrop, outdoors
activity, Sherlock Holmes references and plotting style reminded me of Glyn Carr – who penned
several mysteries set in the mountains of Wales (e.g. Death Under
Snowdon (1952) and Death Finds a
Foothold, 1961). I wonder if Carr was aware of this book and if it
influenced him in any way.
Dead Man's
Quarry is a mystery novel that gives credence to
our claim that we're currently living in a Renaissance era of detective fiction
and kudos to Dean Street Press
for rescuing this one from biblioblivion.
Fabulous book! My favorite read of the year so far. So rewarding from start to finish. Really it was Curt Evans who rescued the book and brought Jerrold to everyone's attention. Rupert Heath of Dean Street Press had the wherewithal to make it a reality.
ReplyDeleteWe're greatful to both of them then and it's easy to see how this book will litter the December lists of favorite reads this year.
DeleteI recommended Jerrold to Dean Street and I'm very pleased they listened! I like both these mysteries, but my nod too goes to Quarry, which has so many delightful elements, including the Christmas-Rampson byplay.
ReplyDelete