"Time is a terrible thing, because it erases joys and pains at the same time."- Gosho Aoyama
Coincidently, this is the third post in
as many days that I'll be discussing a detective story, or rather a compendium
of stories, from the comic book spectrum and you might have noticed that
another Case Closed/Detective Conan review has been long overdue.
The 45th installment of this long-running
series begins, as often is the case with this series, with a story that was
set-up in the previous volume and this yarn fits in with another theme that's
prevalent on this blog – seemingly impossible crimes! The setting is a high
school where a student, Hosaka, tumbled down a flight of stairs to his death
and his ghost appears to be playing malicious pranks on his old classmates. At
the conclusion of the previous book, they found his desk in the school
courtyard with a note on it that said, "I HAVE YET TO SETTLE MY GRUDGE,"
but the rain that had fallen moments before left the note bone-dry and the
field of mud surrounding the desk was bare of any footprints.
Conan does an excellent job in pointing
out the prankster among the group of friends and Aoyama worked with numerous
tropes popular in Japanese (manga) mysteries for this one (e.g. scholastic
setting with legends haunting the hallways and the avenger-from-the-past
theme), but here, IMO, it resulted in one of the best examples I have read to
date. I guess it's because it didn't result in a gruesome murder case and
stayed on a human level that fitted the backdrop and characters.
Aoyama's art in Case Closed is
always great to look at, especially when clues are abound, but it was here that
it struck me how beneficial it can be for a story on an emotional level –
because there's nothing that Hosaka's friends could have said that gave the
reader more of a connection with him than showing his smiling face in class
whenever they're talking about him. Much better than biography-approach you find a lot of contemporary crime and thriller novels.
The materialization of Hosaka's desk in
the muddy courtyard carried the mystery aspect of the story, showing the
strength of a well thought out, but non-violent, locked room gambit, but was
also surprised to find out that it was practically the same explanation I had
dreamed up for the no-footprints situation in William L. DeAndrea's Killed on the Rocks (1990). That was the only real good solution I ever came up
with for the no-footprints situation. Oh, well.
Next up, Conan, Doc Agasa and the Junior
Detective League take time to go on a fishing trip, and before long, they find
themselves enmeshed in another case that has all the earmarks of an impossible
crime: an angler sitting on his regular fishing spot, a pile of tetrapods
sticking far out of the water, is found more dead than alive and foul play is
suspected. However, nobody approached the man until they noticed that something
was up and while he's rushed to the mainland, Conan is unsnarling the events of
that day. Aoyama packed a nice bag of tricks for this volume and his solution
is rather ingenious, but risky, method for poisoning someone from a distance –
a versatile mind to be sure and one that should please a lot of my fellow
mystery enthusiasts, if they ever decide to pick this series up. But be warned,
it take six to seven volumes before the stories become really good.
Anyway, the third case is an out-and-out
homage to Columbo and just about as enjoyable. Richard Moore is invited
to come to Okinawa for a TV conversation with Toshizo Nose, a famous baseball
player for the Jaguars, and the moderator is a former teammate and sports
reporter – Motoyama, who harbors a grudge against Nose. A grudge that drives
him to murder and constructs a cast-iron alibi to get away with it. Conan pops
up every now and then to ask pesky questions, before he has given him enough
rope to hang himself.
Just got it myself, I used to read another Mystery manga called Kindaichi shounen no jikembo but honestly I prefer Conan, loved that last panel also.
ReplyDeleteDon't get me started on Kindaichi, I'll never understand why that series got any attention among regular mystery readers while this one is mostly ignored. I still hope that, one day, this series is discovered and picked up in droves - leaving the publisher baffled at the explosive raise in sales.
DeleteWell I think it's because both series are very long and most people just simply read 1 or 2 cases from both and see Kindaichi as better because they don't care about originality or build up of the story so they just forget about Conan maybe? Atleast I was like that until I saw that masterful story writing from Aoyama for what happened with Vermouth
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