"Small crimes always precede great ones."- J.P. Racine
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The first
of this batch of stories comes from one of today's champions of the locked room
mystery, Paul Halter, whose "The Man with the Face of Clay" combines a curse,
imported from the Middle East, with a miraculous murder offered up as proof. It
begins when Archilles Stock tries to chalk up a lost on the record of his
friend, Owen Burns, by inviting Miss White to their rooms to tell the tale of
her late employer – the archeology enthusiast, Sir Jeremy Cavendish. On one of
his latest digs, Sir Jeremy is cursed by one of the locals and upon his return
to England he's visited by a creature, whose face resembles a grotesque mask molded from clay,
after which he apparently commits suicide. The door was bolted from the inside
and the French window, which was ajar, opened up on a sea of unbroken mud and
freshly raked and undisturbed flowerbeds. Unfortunately, the solution is of a
variety that never fails to disappoint me – no matter how well it was brought
or motivated. But I have to say that Halter's strengths dominate his weaknesses
when he's writing short stories. And having a good translator helps!
Keith McCarthy's "The Invisible Gunman" has another impossible crime for the reader
to work their brains over: a master clock maker is shot to death in his shop
and the murderer must have been his brother, they hated each other, but
witnesses can place him inside his shop (across the street of his brother) at
the time of the murder. Dr. Lance Elliot, his girlfriend Max and his eccentric
father try to sort out this snafu. It has some clever misdirection and the
solution gives us a neat twist on an otherwise hackneyed plot device.
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One of
the magazines also contained a re-print of Ellery Queen's "The Uncle from
Australia." EQ is approached by the quintessential Australian uncle, who made a
small fortune Down Under and returned to unload his wealth on either one of his
two nephews or his niece. The only girl also turns out to be only one who will
inherit, but her beneficiary is beginning to have second thoughts, afraid that
the prospects of all that money might proof to be too tempting, and the
brassy-looking Oriental paperknife in his back confirms his fears. The ending
is a nod to a very famous whodunit and has the added bonus of a believable dying message.
Yes, I picked the first cover for the sole reason that it has a portrait of all of the Armchair Reviewers on the front (including Carr and Boucher). The second cover is of the issue that has the Ellery Queen and Richard Macker stories.
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