The Kindaichi Case Files: The Legendary Vampire Murders

Last month, I reviewed a two-part episode of the enduring Detective Conan anime-series, The Dracula Villa Murder Case, in which a revered writer of vampire stories is impaled and crucified under apparently impossible circumstances in his locked study with the body lighted up by a running film projected – playing a movie-reel of a classic vampire flick. These episodes reminded me of another vampire-themed detective story, a manga, that has been languishing on the big pile for ages.

The Legendary Vampire Murders was originally serialized in Weekly Shōnen Magazine in 2004 and the story has convinced me that Seimura Amagi is the present-day master of the unbreakable alibi. Amagi is so much better at plotting seemingly impregnable alibis than he's at devising locked room-tricks (e.g. the elaborate, grand scale alibi-trick from The Prison Prep School Murder Case).

Hajime Kindaichi is on a bicycle tour of Japan and decides to invite his childhood friend, Nanase Miyuki, to spend a few days with him at his next stop. An almost entirely abandoned village in the middle of nowhere!

The name of the place, Buran Village, originates from "Bran Village in Transylvania" and, according to the legends, Romanian immigrants had been chased out of the village on "the suspicion that they might be vampires," but there appears to be no historical basis for this story – as the countries didn't even appear to have a formal, diplomatic relationship until 1902. So this was purely done to transplant the legend of the Transylvanian vampire to Japan. A legend that appears to be very much alive in the deserted village.

Six years previously, the vampire legend had stirred back to life when villagers witnessed "a strange scene in the middle of the night." A cloaked man with a black hat was seen walking towards the abandoned hotel and appeared to have mental control over a woman in a white dress, who sleepwalked behind him, but when a group of young man, armed with wooden crosses, investigate the hotel they make a gruesome discovery in the basement – a body of the woman with two bite marks in her neck. The coroner didn't find "a single drop of blood" in the body. As if she had been sucked dry by a vampire!

This incident was the death knell for the already struggling, partially depleted village and the place would have been a ghost town had it not been for the presence of a peculiar boardinghouse.

Hirakawa Tooru bought the abandoned hotel and turned it into a boardinghouse, fittingly named "Ruins," which looks like a derelict mansion, but the guest rooms were refurbished, comfortable and clean. A childhood classmate of Kindaichi and Miyuki, Kifune Youhei, is working part-time at the boardinghouse and hopes to make the place a haunt for "ruin maniacs" (i.e. urban explorers). His presence is one of the reasons why Kindaichi stopped in Buran Village.

There are more people who found there way to this reclusive, empty place. Nagareyama Shintarou is a novelist who's writing a book with the boardinghouse as a setting and Nekoma Junko is a freelance writer collecting data on abandoned ruins. Futaganu Ikuo is a physician and Kaitani Asaka owns a boutique, both guests of the "Ruins," who were found poking around the abandoned hospital. And their behavior and obvious lies were suspicious to say the least. Hiiro Keisuke is a young man who was stranded at the hotel, but his appearance and complexion has a suggestion of the grave. Finally, there's Minato Aoko, a staff member of the boardinghouse, who fancies herself to be somewhat of an amateur detective and Inspector Kenmoichi – asked by Kindaichi to accompany Miyuki.

So the stage is set for murder, but there's a prelude when Miyuki is kidnapped by the murderer. The killer is dressed in a long, dark coat and has bandaged face with what appears to be fangs. This doesn't happen all the time, but the Kindaichi series has seen more than one costumed murderers (e.g. The Alchemy Murder Case). Sometimes this series really is a blend of Scooby Doo, Where Are You? and a 1980s slasher movie.

During her captivity, Miyuki had been tied up and had to look on, helplessly, as the vampire murdered one of the guests, Kaitani Asaka. Just one of the perks of being friends with Kindaichi!

Miyuki and Asaka are eventually found in one of the guest rooms on the first floor of the boardinghouse. They both have bite marks in their neck, but only Miyuki lived to tell about it. The problem this murder presents is that nearly everyone possesses a perfectly acceptable alibi, because the only way to reach is the first floor is by either climbing a spiral staircase or crawl into a small dumbwaiter with a weight-limit – which are eliminated as possible entries to the first floor. A brilliant and bone chilling alibi-trick that's eligible to be considered an impossible crime as it involves a physical impossibility. I commented on Dan's 2017 blog-post, "But is it a Locked Room Mystery? The case of the impossible alibi," when an alibi-trick qualifies as an impossible crime and I think this one makes the cut. The chilling explanation of the impossible alibi is another good example of how closely related Japanese mystery writers are to the horror genre. And they often put their horror material to good and practical use. Great stuff!

Miyuki had also been found with bite marks in her neck and, according to the legend, "anyone who's attacked by a vampire will become a vampire." There might be a grain of truth in it when a murder happens that only Miyuki could have committed!

A pool of blood with a body is found in Miyuki's locked guest room, bite marks in the neck, but Miyuki had been in constant possession of the room-key and there are no duplicates. So how did a murderer manage to leave a body inside a locked room? The explanation to this problem is a relatively simple one, but the idea felt fresh and original. I've seen a similar locked room setup in another detective story, but the ending in that was, on a whole, unimpressive as the solution turned on an age-trick. Amagi here cleverly reversed that solution and the result is possibly new variation on the locked room mystery. So, once more, this is great stuff!

The identity of the murderer was better hidden than usual, but you might want to write that down to me stubbornly giving the obvious red herring the fish-eye throughout the entirety of the story. I refused to let go of that one possibility and overlooked a hint or two. Amagi even gave the shopworn motive, carted out in nearly every volume, an additional layer of depth with the horrific back-story of the past murder. The back-story would make for a great horror or thriller story when told from the perspectives of the victim and her killer. As I said before, Japanese mystery writers tend stand closer to the horror genre than their Western counterparts. The Legendary Vampire Murders is a good example of that.

So, all in all, The Legendary Vampire Murders has one of the strongest plots in the series with an ingenious alibi-trick, as classic as it's sickening, and an excellent impossible crime. The rest of the plot, especially the motive, were well handled, but the murderer's alibi and locked room illusion are the main draws of the story. A pure puzzle-plot detective story that comes recommended to mystery readers who love busting alibis and explaining miracles.

Murder On-Line (1996) by Seimaru Amagi

I suppose only a tiny fraction of my regular blog readers are aware, or have read, a Japanese "light novel." Light novels are targeted at high-and middle school aged readers (i.e. Young Adults) and have an average length of fifty thousand words with the distinguishing characteristic that the books are illustrated with manga artwork depicting various scenes or characters from the story – naturally our beloved detective story is fairly represented in light novels. Some of these light mystery novels have been translated into English.

Japanese edition

Zaregoto series: kubikiri saikuru (Zaregoto: Book 1: The Kubikiri Cycle, 2002) by the pseudonymous "NisiOisiN" is an extremely odd, but very good locked room novel, with apparently impossible decapitations on a small, isolated island in the Sea of Japan. Kazuki Sakuraba's Gosick: Goshikku (Gosick: The Novel, 2003) and Gosick II: Goshikku: Sono tsumi wa na mo naki (Gosick: The Crime That Has No Name, 2004) is set in antebellum Europe, which is laced with Ruritanian aesthetics and the series has an impossible crime or two. The Crime That Has No Name was actually somewhat reminiscent of a Paul Halter novel (c.f. The Demon of Dartmoor, 1993).

I'm sure these series convey very little to most of my readers, but during the late 1990s, Kodansha published a quadrilogy of light novels part of detective series most of you should be aware of by now.

The Kindaichi Case Files is a long-running manga series that has spawned numerous anime adaptations, live-action TV series, video games and nine light novels, which were penned by Seimaru Amagi – who's responsible for some of the best stories in the manga series (e.g. The Prison Prep School Murder Case and The Rosenkrauz Mansion Murders). These light novels were illustrated by the original artist of The Kindaichi Case Files and Detective Academy Q, Famiya Satō.

The four books that were translated into English are Opera-za kan arata naru satsujin (The New Kindaichi Case Files, 1994), Dennō sansō satsujin jiken (Murder On-Line, 1996), Shanhai gyojin densetsu satsujin jiken (The Shanghai River Demon's Curse, 1997) and Ikazuchi matsuri satsujin jiken (Deadly Thunder, 1998), but copies have become increasingly rare over time. And expensive. So maybe its time someone reprinted them in an omnibus edition, because Murder On-Line proved to be a pure, plot-driven detective story with an ingenious alibi-trick worthy of Christopher Bush and Agatha Christie. A trick that made the story a quasi-impossible crime novel, but not close enough to label it such.

Murder On-Line is a mystery novel reminiscent of Yukito Ayatsuji's Jakkakukan no satsujin (The Decagon House Murders, 1987) and Peter Lovesey's Bloodhounds (1996), in which "a group of crime and suspense fiction fans" from a chap-group, the On-Line Lodge, meet each other offline at an isolated, practically deserted mountain ski-resort, Silverwood Lodge – they only know each other by their online aliases. The names they picked for themselves are "Agatha," "Watson," "Ranpo," "Patricia," "Sojo," "Spenser" and "Sid," but one of them has a third (secret) identity. An identity simply known as "Trojan Horse" and this person has murder in his or her heart.

Hajime Kindaichi and Nanase Miyuki end up Silverwood Lodge after getting lost in the snowy mountains, but when the group of mystery fans learn Kindaichi is the grandson of the celebrated detective, Kosuke Kindaichi, they insist they stay the night. And a blizzard effectively strands them there.

Kindaichi and Miyuki are the unknown quantity introduced in the murderer's carefully planned scheme, but "Trojan Horse" merely sees them as “a minor bug” in the program that can be handled. Only "two more characters" who showed up to play the game. The first murder is committed that very same day, but everyone has an alibi: "Agatha" was being intimate with "Ranpo." "Patricia," "Sid" and "Watson" were having an online conversation when they were in their private cottages, which can be proved with chat-logs. Kindaichi and Miyuki were together. There's "an alibi for everyone." Kindaichi describes the murder as an impossible crime, because it was committed in "an isolated lodge" with all of the suspects alibied.

English-language edition

However, as good as the alibi-trick is, it doesn't meet my qualifications to be regarded as either a locked room mystery or impossible crime.

Back in 2017, I posted a comment to a blog-post by Dan, of The Reader is Warned, entitled "But is it a locked room mystery? The case of the impossible alibi," which asked if an alibi-trick can be considered an impossible crime. My answer is that an impossible alibi can't solely relay on eyewitnesses or physical pieces of evidence (i.e. train tickets), but murderer should appear to have been physically incapable of having committed the crime. For example, the murderer was in police custody or appeared to have been wounded/hospitalized (e.g. Mr. Monk and the Sleeping Suspect, 2003). There must be a serious physical limitation placed on the murderer and Christie wrote a rather well-known detective novel that used this kind of impossible alibi to perfection.

This was simply not the case here and the alibis fall apart when you consider two, or more, people working together. The chat-group alibi is not exactly rock solid either, because they all had laptops and the murderer could have been chatting from the victim's cottage. The group could even have suspected the two outsiders, Kindaichi and Miyuki. Something that was not considered or even mentioned in the story. And the clueing was a bit scant. The solution is still hinted at, but not as strong as in the best stories from the anime or manga series. However, you can probably blame the light novel format for that. Amagi didn't had the space to craft an ingenious plot like the one from The Prison Prep School Murder Case. Let alone to throw out too many complications or red herrings.

I should also note here that the last murder is quasi-locked room: a member of the chat-group was barricaded inside a cottage, but the murderer squirted two different liquids underneath the door into the cottage, which formed a deadly cyanide gas – giving the victim just enough time to leave behind a dying message. Technically, you could qualify it as a locked room crime, but it was never treated as such in the story. By the way, this is not a spoiler. The murder is shown to the reader.

So, Murder On-Line is not a locked room novel, but, as a traditionally-structured whodunit, it was brilliantly handled with an ingenious alibi-trick. The prologue gave us a glimpse of a perfect crime that was actually, well, perfect. A crime so perfect, it required private revenge to rectify it. An all too common theme in the Kindaichi series and they have done this motive to death, but the back-story to the murders was very detailed here. Usually, the series uses this motive as nothing more than to create incredibly and ambitious murderers. But this one was very well done. You can almost understand why the murderer planned on leaving six bodies at the mountain lodge.

Naturally, Kindaichi can't allow "Trojan Horse" to take out everyone in the group and not only has to demolish the murderer's carefully staged alibi, but has to separate everyone online identity from who they really are. And has to interpret such clues as the previously mentioned dying message and a body found buried in the snow behind one of the cottages. I particularly liked how the chat-group and early internet (culture) were woven into the scheme of the overall plot. Once again, it's a perfect example of modern technology can be incorporated in a traditionally-styled detective story. More amazingly, the book was published in 1996 and this makes it a far-sighted story as far as internet culture is concerned.

So, all things considered, Murder On-Line is a good and cleverly worked out detective novel with a splendid and original alibi-trick. The setting and cast of suspects consisting of a group of crime fiction readers, who use detective-themed nicknames, makes the book highly recommendable to readers who enjoyed Ayatsuji's The Decagon House Murder and Lovesey's Bloodhounds. A great companion piece to those two mystery novels.

I sincerely hope someone decides to reprint The New Kindaichi Case Files (titled in Japan Opera House – The New Murder), Murder On-Line, The Shanghai River Demon's Curse and Deadly Thunder. And, perhaps, translate the remaining five titles from this series. Do you think Ho-Ling Wong, the Carl Horn of Locked Room International, has any plans for the upcoming holidays? Translating a light novel won't be as much work as a regular novel, right? More importantly, it would make me happy. :D

The Kindaichi Case Files: The Antlion Trench Murder Case

The Antlion Trench Murder Case was originally serialized in Weekly Shônen Magazine and collected in volumes 5-6 of Kindaichi Shounen no Jikenbo R (The File of Young Kindaichi Returns), which Ho-Ling Wong described as having one of "the most ridiculous designed building" in the entire series – a research facility in the middle of a desert-like field of quicksand. This case is not considered to be a high-note in the series, but wanted to know how this bizarre and ridiculous architectural marvel was put to use in service of the plot. It certainly was odd, I'll tell you that much.

An old acquaintance and freelance journalist, Yosuke Itsuki, invited Hajime Kindaichi and Miyuki Nanase to participate in a three-day psychological experiment as a way to make a little bit of pocket money.

The experiment is conducted by Professor Maeda Junki, of Saitou University, who has a former military base at his disposal. A facility commonly known as Antlion Trench, situated on the outskirts of a small desert, where captured soldiers were imprisoned during the war and escaping is next to impossible, because the base is surrounded by dangerous patches of quicksand – which can only be navigated by following a roped pathway. Antlion Trench is a cluster of pod-like buildings linked together by long, snaking corridors and (locked) doors.

All of the participants are locked inside this facility for three days and have to wear differently colored kimonos, which represent their inner trauma or desire. A wristband with a body sensor-and radio device will record all of their vital signs, which are send to the professor's laptop. So they're under constant observation during those three days. And cell phones aren't allowed!

As to be expected, two of the participants are murdered and here the outlandish, maze-like layout of the structure begins to work against both Kindaichi and the reader. First of all, getting to the first victim proved to be an obstacle course, because they're constantly confronted by locked doors and dead-ends in a place where every room and corridor looks practically the same – making it very confusing to follow everyone's movement. Something that's not entirely unimportant to the solution.

However, this is not a locked room mystery in the traditional sense. The murders appear to be baffling and incredibly hard to have carried out, but they're not, strictly speaking, impossible crimes.

Unfortunately, the explanation to the murders reworked on of my favorite Kindaichi stories by pumping it full of steroids, because The Antlion Trench Murder Case is pumped-up version of that particular story. Just not as good or particularly well executed. Another thing I have began to notice is that The File of Young Kindaichi Return series uses "The Puppeteer of Hell," Yoichi Takato, as a convenient plot-device to justify the more fantastic aspects of the plot by simply pointing at him and saying, "it was all his idea." And if you lean on that too much, you run the danger of creating something completely incomprehensible. Something this story was (at times) dangerously close to becoming. Hell's Puppeteer is a great character and a perfect foil to Kindaichi, but this is not the best way to use him.

Antlion Trench

  

So the mechanics of the crimes were less than perfect and the movement of the various characters through the maze-like building was confusing at times, but it made for an oddly interesting detective story – especially when you add the psychological angle and wristbands to the overall picture. There were one or two good clues hidden in them that pointed to the murderer. One clue particular gives immediately identifies the murderer, if you're able to spot it. As usually, the age-old revenge motive is dragged out, which is used in nearly every volume of this series, but this back-story was an interesting one. And it's baffling that culprits of this crime saw their action as a prank gone wrong. It was as close to (unintended) murder (manslaughter?) as you can possibly get.

Just like my previous read in this series, The Antlion Trench Murder Case had an intriguing premise and bizarre backdrop, but everything else was par of the course for the series. And part of the plot reworked a previous and much better story. So this was not one of Kindaichi's all-time greatest cases, but neither was it his worst. Just a very middling title in the series.

Well, I guess I'll return to Case Closed or Q.E.D. for my next mystery manga.

The Kindaichi Case Files: The Murder in the Phantom School Building

Kindaichi Shounen no Jikenbo R (The File of Young Kindaichi Returns) series was serialized in Weekly Shônen Magazine from 2012 to 2017 and reviewed a number of stories that were adapted for the animated series, such as The Alchemy Murder Case, The Prison Prep School Murder Case and The Rosenkrauz Mansion Murders, but not all of the cases were used for the anime – some have very alluring premises. I noticed one of these unused stories combined an abandoned island setting with a treasure hunt, urban exploration, bloody murder and a pack of minutely-timed alibis. So I simply had to read it.

Gunkon Island on the Izu Peninsula is the backdrop of The Murder in the Phantom School Building, but is locally known under another name, Kogane (Gold) Island, which once held rich gold deposits and the small island prospered.

The island used to be crowded and resembled a busy town rather than a mining village. After this brief, prosperous period, the gold suddenly ran out and over two-thousand people left – turning the island into a godforsaken ghost town of abandoned ruins. And these ruins have a story to tell. Legend has it that there's "an estimated amount of 200kg in gold bars" secreted on the island.

A treasure rumordly stowed away by the Vice-Principal of Kogane Junior High School, Yuuki Genshou, who had worked on the island for over thirty years and was the only person who remained behind. This fanned the flames of the rumored treasure of gold bars, but the gold was never found and when two men from the mining company returned to the island, to confront him, all they found was "the shriveled, mummy-like body of the Vice-Principal" sitting in a chair – which promptly disappeared when the police arrived. Since a year, every month a group of people are given access to the island to poke around the abandoned ruins for the gold.

Miyuki had a bit of good luck when she, out of nowhere, secured two slots on the next expedition to the island and this means that Hajime Kindaichi is coming with her!

On the island, they meet the rest of the expedition: Akaguma Takeshi (tour guide), Tomoe Soujuurou (treasure hunter) and Kubiki Tomorou (supernatural researcher). The rest of the group consists of students who are members of a college urban exploration club (Ruins Explorer Club): Yamori Yukio, Kijou Ayuma, Hanaizumi Kyouya, Tsuruno Fuyuka, Tooma Moegi and Muronoi Ran. However, there are two other unexpected visitors. Inspector Kenmoichi and Superintendent Akechi arrive on the island under the guise of civil servants inspecting the place, but Kindaichi is soon informed by them that they received evidence that the "Puppeteer of Hell," Yoichi Takato, is going to be at the bottom of what is about to unfold among the ruins of Kogane Island.

For those who missed my previous reviews, Takato is a magician of crime who designs perfect murder plots for those craving revenge or long for private justice. So the stage is properly set for murder!

Kogane Island

 

The group of treasure hunters uses the Kogane Junior High School building as a base and the place resembles an obstacle course for urban explorers. There are corridors blocked by rubble, stairways that have collapsed and rotting floors with holes in it. A feature that comes an integral part of the alibi-trick when the group hears over the wireless how one of the club members is murdered in the music-room, on the second floor, but the staircase has collapsed and they needed to take the long way round to reach the music-room, which takes a good six minutes – nobody within the group was out of sight for more than three minutes. Not enough time to take the long way round, commit the murder and return without being seen.

I think any astute mystery reader can piece together one part of this alibi-trick, but the second part is a lot trickier and borders on cheating, because it took more prep work than you can reasonable expect even from a fictitious murderer. And this probably why the Puppeteer was inserted into the background. It kind of justified this elaborate part of the trick. Still a good and even a somewhat original alibi-trick.

A letter was found inviting the victim to come to the music-room without telling anyone, signed "The Vice-Principal," which are followed by more letters asking the explorers to come to various locations in the school building – all of the letters came with a tiny piece of gold. But then the radio-transmitter vanishes, their boat is torched and two more names are added to the body-count. The last murder is a diabolical one with almost childish trickery to lure the victim into a deadly trap, but very well done and more believable than the first murder.

The Murder in the Phantom School Building has a solid premise with a great backdrop for a deadly treasure hunt and using urban explorers to pad out the cast of characters was interesting, but, besides the previously mentioned tricks, the plot was standard fare for the series. I easily spotted the murderer and the motive was the same old, same old. So, on a whole, the story is a not standout title in the series, but also a long-way from those at the bottom-rung. It's just very average.

So far this lukewarm review, but probably have something good again for my next post.

The File of Young Kindaichi: The Hong Kong Kowloon Treasure Murder Case

The Hong Kong Kowloon Treasure Murder Case is a four-part episode that opened the first season of Kindaichi Shounen no Jikenbo R (The File of Young Kindaichi R) anime series and reviewed a bunch of episodes last year, which included a number of fine examples of the unbreakable alibi (The Prison Prep School Murder Case) and the locked room mystery (The Rosenkrauz Mansion Murders). After reading the surprisingly excellent The Headless Samurai, published in the original manga series, I wanted to return this series.

The Hong Kong Kowloon Treasure Murder Case consists of four, twenty-minute episodes and the plot combines (mild) thriller elements with the usual Kindaichi plot, which involves kidnapping and three murders by a dark figure known as the "Poison Dragon" – whose back-story is deeply rooted within the Walled City of Kowloon. A densely populated, lawless labyrinth where the Kowloon Palace housed a dragon statue with "diamond worth billions" (*) as eyes. The diamonds are known as the Dragon Eyes and people believed them to be cursed. So nobody even dared to touch them, until Wang Long, "the so-called Emperor of Kowloon," pried them from the statue. They eventually went missing and are rumored to be hidden somewhere in Hong Kong.

An addendum to this back-story is that Wang Long was betrayed and murdered, twenty years before this case, but vowed with his dying breath that "all will die" when "the Poison Dragon awakens." I appreciated how the legacy and history of that "dark complex of maze-like buildings" lurked in the background of the story.

Two decades later, Miyuki gets an unexpected opportunity to do modeling work in Hong Kong when she's spotted walking down the street with Kindaichi by Ryuta Takigawa of Tokyo Girly Mode.

So he goes along with her to the Jewel of Asia and there they bump into a friend, Saki, who's an enthusiastic videophile constantly recording everything that goes around and has often assisted Kindaichi on his cases, but their merry reunion is shortly lived when Miyuki vanishes from a watched, curtained fitting room in a clothes store – an impossibility Kindaichi immediately solved. An antiquated, overly convenient solution that begs the question how the kidnapper knew Miyuki would use that specific fitting room. Or do all of the fitting rooms there go with a sliding panel?

Anyway, they go through the sliding panel and, when they come out in a back alley, they see an unconscious Miyuki in the backseat of a black car, which Kindaichi attempts to follow on a bike, but is unable to keep up the chase. And soon thereafter, he receives a text message from Miyuki saying that they will kill her if he goes to the police.

So he has to find her on his own and a another, very convenient coincidence puts him on a possible trail when they bump into a model, Yan Ran, who looks exactly like their missing friend and was reportedly missing – which is how Miyuki got her modeling gig. Yan Ran is directly tied to the past of the Walled Town and has a dragon tattoo with a hidden message, when deciphered, gives the location of the Dragon Eyes. This provides the story with a side-puzzle, as Kindaichi has to break the code in a race against time, because this supposed treasure could destroy the whole of Hong Kong.

Kindaichi in hot pursuit

So there you have the thriller elements, although mostly of a relatively mild variations, but there are also the previously mentioned murders and two of those killings provide the story with a traditional detective problem.

The Hong Kong promoter of the Tokyo Girly Event, Chan Yongu, is poisoned under nearly impossible circumstances during dinner when eating poisoned soup that had been served to everyone else, including Kindaichi, without any ill-effects. However, the poisoning does not hinge on a trick allowing the murderer to unobserved spike the soup and think most viewers can (largely) work out the method. But the second murder has some real ingenuity and originality.

A man by the name of Shin Li, who gave his place at the dinner table to Chan Yongu, is beaten to death in an apartment room across the street, but all of the potential suspects where under lock down and police guard at the hotel – giving them cast-iron alibis. This alibi-trick had been used before in the series, in regards to a locked room murder, but here it's used to craft a perfect alibi and what makes it somewhat original is the tool the murderer used. I don't think it could have been done as fast as the episode suggested, but the idea is a novel one and added a new ripple to the age-old trick of hiding something in plain sight.

However, the most important murder is the third one, which does not provide a puzzle problem, but has a subtle, tell-tale clue that, if spotted, tells you who the "Poison Dragon" really is.

The identity of the murderer, even if you don't spot the tell-tale clue, probably won't come as too big a surprise to the seasoned mystery reader, but the motive was interesting as it gave a twist to the motivation that drives most murderers in this series. It was that motive, but not in the way you imagined. And that was a nice touch.

So The Hong Kong Kowloon Treasure Murder Case is an often fast-moving detective story with thriller elements, code cracking side puzzles, a MacGuffin, the Poison Dragon murders and unbreakable alibis, which made it an entertaining four-parter, but the overall plot and story does not measure up to the best from this series. There was too much of everything and this diluted the stronger aspects of the plot. Still, they were not bad episodes to watch. And, hey, when I'm not overly negative about Kindaichi it says something about those volumes or episodes.

(*) I'm sure those billions are in Japanese yen.

The Kindaichi Case Files: The Headless Samurai by Yozaburo Kanari and Fumiya Sato

Previously, I looked at a landmark novel of the Japanese detective story, Inugamike no ichizoku (The Inugami Clan, 1951) by Seishi Yokomizo and the detective on that case, Kosuke Kindaichi, is as iconic a figure in Japan as Sherlock Holmes is in the West – referred to some as the Columbo of the East. Yokomizo's famous detective has a well-known grandson, Hajime Kindaichi, who debuted in 1992 in Weekly Shōnen Magazine. A serialized mystery manga that has since spawned numerous manga-and anime series, light novels, video games, live action movies-and TV series and even had a crossover with Conan Edogawa from Detective Conan.

Originally, The Kindaichi Case Files was written by Yozaburo Kanari and my opinion of him, as a mystery writer, is somewhere at the bottom of the Mariana Trench. Kanari would probably crack my top 3 of least favorite mystery writers and his hackwork has negatively colored my perception of the series.

Initially, I abandoned the series after only three (or so) volumes of the original series, which began with the uninspired The Opera House Murders that heavily leaned on ideas from Gaston Leroux's Le mystère de la chambre jaune (The Mystery of the Yellow Room, 1907) and Le fantôme de l'opéra (The Phantom of the Opera, 1910) – fluffed up with an impossible crime trick cribbed from a G.K. Chesterton story. The Mummy's Curse is a poorly abridged version of Soji Shimada's Senseijutsu satsujinjinken (The Tokyo Zodiac Murders, 1981) bordering on plagiarism. I don't exactly remember my third one, but it could have been No Noose is Good Noose or The Legend of Lake Hiren, but they were both equally poor in plot and execution.

I abandoned The Kindaichi Case Files with no intention of ever returning, but than I ran across Ho-Ling Wong and he insisted there were quality detective stories in the series. So I reluctantly returned with varying degrees of success. The Graveyard Isle was incredibly weak and don't remember thinking too much of Treasure Isle either, but Death TV, The Magical Express and The Undying Butterfly were generally excellent. House of Wax was even superb and still my favorite entry in this series.

There are, however, a few holes in my reading of the English edition that were published in the West, because TokyoPop folded in 2011. One of these titles, The Headless Samurai, had been recommended to me by a commenter, Jonathan, on my review of The Prison Prep School Murder Case, a multi-part episode of the latest Kindaichi anime – claiming that the story was even better than The Magical Express and House of Wax. Naturally, I was skeptical and had a very good reason to be, which has to do with my reason for picking The Headless Samurai as my follow up to The Inugami Clan.

You see, what I read about the plot of The Headless Samurai made me suspect Kanari had been "borrowing" from Yokomizo's celebrated detective novel and was ready to tar-and-feather him for it. I even hired an angry mob with torches and pitchforks. I was fully prepared for a good, old-fashioned verbal lynching, but, as much as it pains me to say, I turned out to be wrong. Again. The Headless Samurai turned out to stand toe-to-toe with House of Wax and kind of liked what Kanari did with the plot and (visual) clueing. Don't get me wrong. Kanari is still a hack of the first water, but you have to give credit where credit's due, you know.

The Headless Samurai has Inspector Kenmochi traveling to the remote mountain village of Kuchinasi in the Gifu Prefecture to visit a childhood friend, Shino Tatsumi, who had married into a wealthy family, as the second wife of Kuranosuke Tatsumi, but after he passed away she started to receive threatening letters – all of them signed by "The Cursed Warrior." Kenmochi is accompanied by two familiar faces, Hajime Kindaichi and Nanase Miyuki.

There are a few superficial resemblances to The Inugami Clan in the opening stages of the story. One of these is a masked man, Saburo Akanuma, who they spot on the bus to the village and turns up again at the Tatsumi home as a guest of Shino. A second resemblance is the reading of the will, appointing Seimaru Tatsumi as the head of the family and "the heir to all its wealth," but the problem is that Seimaru is Shino's son who was adopted by her husband and an outsider – which means that his appointment comes at the expensive Ryunosuke, Moegi and Hayato. The three children from Kuranosuke's first marriage.

However, The Headless Samurai goes its own way after the setup and the plot is draped in a legend that has hung, like a dark cloud, over the village for centuries.

Over 400 years ago, the village was visited by an army general, Kaneharu Hiiragi, who was badly defeated during the time of the battle of Sekigahara and came to Kuchinasi to seek refuge with his men. Upon his arrival, the general crowned himself leader of the village and attempted to drive out the village chief, but General Kaneharu was betrayed by his soldiers. They killed their master, presented the severed head as peace offering to the chief and settled down in the village. Only General Kaneharu placed a curse on them with his dying breath, "my spirit will wander the earth" and "you will never be free," which was followed by a series of decapitations of his former men.

So the frightened villages began to appease his spirit by erecting a shrine dedicated to him and headless statues were placed representing the victims. And the opening of the story showed that the suit of armor of General Kaneharu has disappeared.

The Cursed Warrior makes an entrance like a Scooby Doo villain, when he slashes through a paper screen with a katana, before disappearing and only an impossibly vanishing trail of sandal-prints on the veranda. However, this side-puzzle is quickly solved by Kindaichi, but the problem is that this reveals the person wearing the armor came from inside of the house. Ah, yes, detective stories are the thinking man's Scream.

This is followed by the impossible murder of the masked man, Saburo Akanuma, who is housed in the only available room at the time. A vault-like room hidden behind a hidden, revolving door that looks like a blank wall. The room itself has an iron door with a lock made in Germany, which comes with a unique, custom-made key that can't be duplicated and the only window is a narrow square with iron bars – looking out over a wide, steep cliff with a river below. One evening, Kindaichi gets a phone-call from Saburo asking to ask him if he really is "the grandson of the famous detective," because he wants to tells him the identity of the katana-wielding samurai.

Kindaichi and Shino go to the Saburo's room to have a word with him, but when they arrive in the passage they hear him scream out, "IT'S THE CURSED WARRIOR." Kindaichi tells Shino to fetch the keys and when they can finally open the door they're greeted by his headless corpse sitting in the silent, moonlit room.

A well-presented locked room problem with a good false solution by Kenmoichi, which fitted only one suspect, who promptly dies, but the actual explanation is practical, simple and believable. Clever and original enough to avoid being disappointing. And nicely contrasts with Kenmochi's solution.

However, the locked room mystery and its false solution are not the gemstones of the plot. An experienced mystery reader with a passing familiarity of the Japanese detective story will immediately suspect a classic, Eastern-style corpse-trick is being placed right under their nose, but not one you can easily unravel and the plot cleverly plays with the cast-iron certainties given by modern forensics and results in a beautiful piece of misdirection – which was nonetheless prominently foreshadowed in the artwork. This also gave the murderer an acceptable motive for all of the theatrics, because they were necessary to answer that age-old question. What to do with the body?

The Headless Samurai was surprisingly strong on motives, which is normally a weak aspect of the series, because the plot tend to be written around the eternal avenger-from-the-past theme. The murderer here had an entirely different motivation. A motive showing that old sins can cast long shadows, the cussedness of all things general and that blood will out. What drives the murderer also gives the story some nice clues and made for a dark, tragic conclusion.

So, all in all, The Headless Samurai was a pleasant surprise and, if I come across as overly enthusiastic, it's because I was determined to hate it going in. But I was proven wrong. I don't mind it at all when that happens. Kanari is still a hack though.